The men, in uniform and not visibly injured, come down the steps of the cathedral after visiting the tomb. The inside of the cathedral and the tomb itself are not shown.The crowd gathers round O'Leary...
A bard declaims, surrounded by the crowd in the castle ruins. The Gorsedd procession leads off, with a number of soldiers marching before the bards. Lloyd George arrives by car to the cheers of the cr...
Kaiser Wilhelm waits, wearing his Austrian field marshal's uniform, with his officers in the snow. Jump cut to Wilhelm greeting Karl beside his train just after his arrival. The two emperors arrive by...
Horses, along with their Austro-Hungarian handlers (mildly camera-conscious) rest beside a monastery which shows some shell damage. Other partly-destroyed buildings, including a village square and chu...
The balloon section lorries arrive at an area of flat ground and the men start to inflate the balloon. The inflated balloon stands ready to ascend. Horses, towing a car out of a patch of soft ground, ...
A captain demonstrates how the rifle grenade, which requires no cup, fits into the rifle. His men, using a trench periscope, fire the grenades from a trench. All are in shirtsleeves.
Newsreel ite...
Moroccan lancers and foot soldiers parade in the courtyard of a mud-walled fort, then march out into the desert for the coast.The young soldiers, and French Boy Scouts, march in salute past the statue...
A group of ostriches assembles with their trainers at a racetrack. One of the birds is fitted with a trotting harness, and then races "one mile in 2 minutes 10 seconds". It is taken out of the harness...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 586, (1918), S. 28ff. Besprochen werden gleich zwei Propagandafilme zur achten Kriegsanleihe. "Lloyd George in Berlin" wird als äußer...
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...