The film blames the war, and Turkey's involvement in it, completely on Germany. It uses animated maps to show how from 1415 the Duchy of Brandenburg expanded to become the German Empire and absorb Tur...
The inhabitants of the centre are soldiers in hospital blues, all either with an arm or a leg missing, or in wheelchairs, or blind. A group of them assembles to hear a representative of the Ministry o...
Some of the women work driving or doing maintenance work on RAF cars and lorries. One woman changes the tyre on a staff car, but is unable to get the inner tube detached from the tyre, even with the h...
The Cardinal meets regimental chaplains outside a barn marked as a Catholic church. (Note the official photographer, J Warwick Brooke, at work.) The Cardinal walks towards the camera for a posed shot....
2nd Battalion, the Black Watch, led by its pipe band along a desert road. "The Australian Camel Corps" (actually pack camels). The bombardment of Gaza in September 1917. A street scene in Jaffa; camel...
The film is jumbled, with the title appearing some time after the start. It opens with two FBA Hydroplanes riding at moorings, silhouetted against the sunset on the water. The captions explain how use...
A steamer moves left to right across anchorage. Medium shot of 150mm gun of the Gneisenau battery in front of the Royal Palace Hotel, Ostend in October, 1918, after the German withdrawal. Medium shot ...
I. Medium shot off the starboard bow of Royal Sovereign Class battleship at night as the ship's searchlight battery sweeps the water. Cambrian Class light cruiser (Calliope or Champion ?) is illuminat...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...