The film blames the war, and Turkey's involvement in it, completely on Germany. It uses animated maps to show how from 1415 the Duchy of Brandenburg expanded to become the German Empire and absorb Tur...
The inhabitants of the centre are soldiers in hospital blues, all either with an arm or a leg missing, or in wheelchairs, or blind. A group of them assembles to hear a representative of the Ministry o...
Some of the women work driving or doing maintenance work on RAF cars and lorries. One woman changes the tyre on a staff car, but is unable to get the inner tube detached from the tyre, even with the h...
The Cardinal meets regimental chaplains outside a barn marked as a Catholic church. (Note the official photographer, J Warwick Brooke, at work.) The Cardinal walks towards the camera for a posed shot....
2nd Battalion, the Black Watch, led by its pipe band along a desert road. "The Australian Camel Corps" (actually pack camels). The bombardment of Gaza in September 1917. A street scene in Jaffa; camel...
The film is jumbled, with the title appearing some time after the start. It opens with two FBA Hydroplanes riding at moorings, silhouetted against the sunset on the water. The captions explain how use...
A steamer moves left to right across anchorage. Medium shot of 150mm gun of the Gneisenau battery in front of the Royal Palace Hotel, Ostend in October, 1918, after the German withdrawal. Medium shot ...
I. Medium shot off the starboard bow of Royal Sovereign Class battleship at night as the ship's searchlight battery sweeps the water. Cambrian Class light cruiser (Calliope or Champion ?) is illuminat...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...