Two Hornets move in parallel over the testing grounds, with a third just behind. They climb slopes and drive through water-filled holes in speed and stability tests. In the background is the "Little W...
(Reel 1) Among the observers are Major H Buddicom, Major W G Wilson, the designer Mr Ricardo and Lieutenant Shaw. The three cameramen at work occasionally appear on each other's film, which has been j...
The Mark V Double Star crosses a wide but simple trench of typical 1918 pattern. A Medium B makes the same crossing, as does a Medium C, both ways. The Medium A Whippet tank "HMLS Tarantula" gets stuc...
The tank is a prototype in natural metal finish, without its fittings and with the sponsons slightly recessed for rail travel; it is flying small US flags. The troops supervising it are American, with...
An unarmed Mark IV Male crushes barbed wire as soldiers mark its progress. An unarmed Mark IV Female comes up to the camera. Tank crews perform maintenance on "HMLS Daphne" (from IWM 116 BATTLE OF THE...
Redmond died of wounds on 7 June 1917 and was buried in Locre cemetery. The film shows the deputation from Ireland visiting his grave which is tended by nuns and has been extremely highly decorated fo...
The training ground is flat with deliberately constructed obstacles. A Medium A Whippet drives repeatedly through shallow flooded holes. A Mark V Hermaphrodite spins on its own axis. A stripped-down t...
Two Mark IV tanks, a Male "HMLS Daisy" and a Female "HMLS Dauntless" practise trench-crossing (some of the material is shot from inside the trench). A Mark IV command tank, waving a flag, leads other ...
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...