Two Hornets move in parallel over the testing grounds, with a third just behind. They climb slopes and drive through water-filled holes in speed and stability tests. In the background is the "Little W...
(Reel 1) Among the observers are Major H Buddicom, Major W G Wilson, the designer Mr Ricardo and Lieutenant Shaw. The three cameramen at work occasionally appear on each other's film, which has been j...
The Mark V Double Star crosses a wide but simple trench of typical 1918 pattern. A Medium B makes the same crossing, as does a Medium C, both ways. The Medium A Whippet tank "HMLS Tarantula" gets stuc...
The tank is a prototype in natural metal finish, without its fittings and with the sponsons slightly recessed for rail travel; it is flying small US flags. The troops supervising it are American, with...
An unarmed Mark IV Male crushes barbed wire as soldiers mark its progress. An unarmed Mark IV Female comes up to the camera. Tank crews perform maintenance on "HMLS Daphne" (from IWM 116 BATTLE OF THE...
Redmond died of wounds on 7 June 1917 and was buried in Locre cemetery. The film shows the deputation from Ireland visiting his grave which is tended by nuns and has been extremely highly decorated fo...
The training ground is flat with deliberately constructed obstacles. A Medium A Whippet drives repeatedly through shallow flooded holes. A Mark V Hermaphrodite spins on its own axis. A stripped-down t...
Two Mark IV tanks, a Male "HMLS Daisy" and a Female "HMLS Dauntless" practise trench-crossing (some of the material is shot from inside the trench). A Mark IV command tank, waving a flag, leads other ...
Emil Perlmann, Wenn die Waffen ruhen...!, Der Kinematograph, 619, (1918). Erörterung der Lage der Filmindustrie angesichts des greifbaren Kriegsendes. Die Filmindustrie müsse den Kampf gegen die Zen...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Colonia-Film-GmbH, Die Leute wollen mal wieder lachen !, Der Kinematograph, 508, (1916), S. 43.
Poldi Schmidl, Der Kinobesitzer als Staatsbeamter, Der Kinematograph, 607, (1918). Angesichts der geplanten Konzessionspflicht für Kinobesitzer wird die Möglichkeit einer Verstaatlichung der Filmind...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.
Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...