Two Hornets move in parallel over the testing grounds, with a third just behind. They climb slopes and drive through water-filled holes in speed and stability tests. In the background is the "Little W...
(Reel 1) Among the observers are Major H Buddicom, Major W G Wilson, the designer Mr Ricardo and Lieutenant Shaw. The three cameramen at work occasionally appear on each other's film, which has been j...
The Mark V Double Star crosses a wide but simple trench of typical 1918 pattern. A Medium B makes the same crossing, as does a Medium C, both ways. The Medium A Whippet tank "HMLS Tarantula" gets stuc...
The tank is a prototype in natural metal finish, without its fittings and with the sponsons slightly recessed for rail travel; it is flying small US flags. The troops supervising it are American, with...
An unarmed Mark IV Male crushes barbed wire as soldiers mark its progress. An unarmed Mark IV Female comes up to the camera. Tank crews perform maintenance on "HMLS Daphne" (from IWM 116 BATTLE OF THE...
Redmond died of wounds on 7 June 1917 and was buried in Locre cemetery. The film shows the deputation from Ireland visiting his grave which is tended by nuns and has been extremely highly decorated fo...
The training ground is flat with deliberately constructed obstacles. A Medium A Whippet drives repeatedly through shallow flooded holes. A Mark V Hermaphrodite spins on its own axis. A stripped-down t...
Two Mark IV tanks, a Male "HMLS Daisy" and a Female "HMLS Dauntless" practise trench-crossing (some of the material is shot from inside the trench). A Mark IV command tank, waving a flag, leads other ...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...
Kino : ill. týden. pro hlediště : orgán Synd. film. autorů. – Vol. 1, No. 1 (March 1919) -35 (December 1919). -- Praha : Volné vydavatelství KINO, 1919. -- ISSN 1804-4301 Weekly paper of the ...
Československý film. – Vol. 1, No. 1 (16.12.1918)-Vol. 3, No. 12 (18.06.1921). -- V Praze : Syndikát československých půjčoven filmových : Československý film, sdružení českých výrobe...