French and Serbian soldiers inspect and pull apart the wreckage of the Zeppelin. An unexploded bomb (?) lies in the marsh. On board one of the British ships which shot down the Zeppelin, a naval lieut...
"The 5th Royal Scots who have volunteered for the Front in training." Soldiers, including some very young teenagers, march past a camp of white tents erected in summer countryside. Scenes of camp life...
Thirteen numbered captions separate the following scenes. Soldiers parade and drill in front of the ornate oriental facade of a pavilion (Indian ?) erected for one of the pre-war international exhibit...
I. The rally in Birmingham led by a male band. The women are mostly in uniform. The marching column includes a steam tractor, a horse-drawn plough and a horse-drawn rake. The procession goes up New St...
This two-reel film consists largely of duplicates from the series IWM 130 SONS OF OUR EMPIRE and IWM 420 THE WORLD'S GREATEST STORY, including the remains of the missing original first episode of IWM ...
British soldiers of various regiments and branches, all wearing life jackets, embark on leave boats. One group is on board a small side-wheeler CD-8, and others on a larger vessel E0826. The larger sh...
I. A group of four Dutch Army officers (Luitenant-kolonel Jonkheer J.H. Roëll, Generaal-majoor T. Burgers, Kapitein J.W. van Oorschot and a military attaché) with two British escorts walking over th...
The film is presented, uncut, in reverse order of events. It begins with Pershing saying goodbye to the British Adjutant-General, Sir G H Fowke, and the French General Peltier, prior to entering his c...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...