French and Serbian soldiers inspect and pull apart the wreckage of the Zeppelin. An unexploded bomb (?) lies in the marsh. On board one of the British ships which shot down the Zeppelin, a naval lieut...
"The 5th Royal Scots who have volunteered for the Front in training." Soldiers, including some very young teenagers, march past a camp of white tents erected in summer countryside. Scenes of camp life...
Thirteen numbered captions separate the following scenes. Soldiers parade and drill in front of the ornate oriental facade of a pavilion (Indian ?) erected for one of the pre-war international exhibit...
I. The rally in Birmingham led by a male band. The women are mostly in uniform. The marching column includes a steam tractor, a horse-drawn plough and a horse-drawn rake. The procession goes up New St...
This two-reel film consists largely of duplicates from the series IWM 130 SONS OF OUR EMPIRE and IWM 420 THE WORLD'S GREATEST STORY, including the remains of the missing original first episode of IWM ...
British soldiers of various regiments and branches, all wearing life jackets, embark on leave boats. One group is on board a small side-wheeler CD-8, and others on a larger vessel E0826. The larger sh...
I. A group of four Dutch Army officers (Luitenant-kolonel Jonkheer J.H. Roëll, Generaal-majoor T. Burgers, Kapitein J.W. van Oorschot and a military attaché) with two British escorts walking over th...
The film is presented, uncut, in reverse order of events. It begins with Pershing saying goodbye to the British Adjutant-General, Sir G H Fowke, and the French General Peltier, prior to entering his c...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.