The squadron exists to train fresh horses and mules for British Army war service. The horses are taught to keep at a steady walk in formation when other horses are galloping past at an angle. Various ...
I. "Aero Engines" - women assembly workers operating various kinds of precision lathes and equipment in the manufacture of engines, ending with men testing a rotary engine, possibly a Le Rhöne made u...
A posed group of the school staff. A training exercise in which the men run forward to set up their Vickers machine guns under cover or in a prone position. One of the groups of trainees sets out with...
Scenes of damaged houses and churches, with British troops clearing away the rubble. The first church is late perpendicular with its roof missing, possibly Neuve Eglise. The second church, neo-Norman,...
An 18-pounder field gun battery emerges head-on out of a farm courtyard onto a very wet and muddy road. RFA gunners pack 18-pounder shells into wooden boxes for transportation. A 4.5-inch field howitz...
I. Kitchener visits France between 9 and 12 February. He leaves a "headquarters" (possibly of a division) by car. He inspects a brigade of New Army Infantry which cheers him as he leaves. He watches w...
The young 'mother', at a table, begins her letter, "dear son" (acted). British troops unload sacks of mail for France at one of the Channel ports. The mail is taken across the Channel by ship and unlo...
A kite balloon is positioned by RFC ground staff and ascends over a small village. The view down from the basket and a (faked) close-up of the observer and signaller spotting from the basket. A 60-pou...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.