The battery canters into a field and unlimbers, deploying its guns, then relimbers and canters off. The battery canters in column head-on out of the field and turns away when close to the camera. One ...
US soldiers disembark from their ship at a French port. A group of US Navy officers and men posed with French children they have temporarily adopted. More Infantry on the march. A long column of US nu...
French soldiers show US troops, led by a lieutenant-colonel, the correct method of building a command post dugout - a large, solid and permanent structure. German prisoners lined up for the camera are...
Foch leaves the Château de la Valdes des Ecoliers at Charmont, Pershing's own château. Pershing sees the Marshal to his car, then himself leaves by car. Pershing arrives (out of sequence) at his chÃ...
US logistical build-up on the Western Front, probably 1918.
Representative officers from the various Allies watch as the senior Belgian officer shows the senior American officer around. They pass a parade of Belgian cyclist troops. The US flag is raised while ...
Princess Patricia's Canadian Light Infantry parade with the standard presented by the Princess, and march to the trenches. They enter heading towards "Prowse Point", the shallow, waterlogged trench wh...
Sergeants of a British drill squad train US soldiers who carry British equipment and include a group of WACs. The Americans are put through bayonet practice against sandbags and parrying against a liv...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.
Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...