The howitzer is in a leafless wood. Its crew remove its camouflage, load the howitzer and elevate it (this is the number 4 gun of the battery). They uncover a pile of shells and roll them forward read...
The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
I. Women use various types of heavy plant, chiefly lathes or punches, to make Lewis machine guns. One group rivets on the retaining pieces to the ammunition pans. Spraying the ammunition pans. Making ...
A pan over the valley with Asiago village in the distance. A British lorry convoy comes up a hairpin track to the top of a mountain ridge. Asiago, filmed from the British lines across the valley. Brit...
The men put on their equipment, showing very clearly how full marching pack and equipment was worn. They assemble by their bell tents and, led by two regimental colours (standards) and their band, the...
The divisional commander, Brigadier-General F S Meighan, shows the journalists around the training area. (Very broken film, extremely hard to follow.) The men are engaged in various kinds of training:...
A selection of the most visually attractive film taken by the British official cameramen during March and April (for the GERMAN OFFENSIVE series) without regard to date or place, padded out with stock...
Probably filmed mostly before 8am (as fog is everywhere on the horizon) and on 2nd Australian Division front. Pioneers advance in single file with spades and rifles using white tapes on the ground to ...
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...