The howitzer is in a leafless wood. Its crew remove its camouflage, load the howitzer and elevate it (this is the number 4 gun of the battery). They uncover a pile of shells and roll them forward read...
The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
I. Women use various types of heavy plant, chiefly lathes or punches, to make Lewis machine guns. One group rivets on the retaining pieces to the ammunition pans. Spraying the ammunition pans. Making ...
A pan over the valley with Asiago village in the distance. A British lorry convoy comes up a hairpin track to the top of a mountain ridge. Asiago, filmed from the British lines across the valley. Brit...
The men put on their equipment, showing very clearly how full marching pack and equipment was worn. They assemble by their bell tents and, led by two regimental colours (standards) and their band, the...
The divisional commander, Brigadier-General F S Meighan, shows the journalists around the training area. (Very broken film, extremely hard to follow.) The men are engaged in various kinds of training:...
A selection of the most visually attractive film taken by the British official cameramen during March and April (for the GERMAN OFFENSIVE series) without regard to date or place, padded out with stock...
Probably filmed mostly before 8am (as fog is everywhere on the horizon) and on 2nd Australian Division front. Pioneers advance in single file with spades and rifles using white tapes on the ground to ...
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.