A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
A portrait shot of, possibly, the chief US delegate Herbert Hoover. A group shot of the delegates, from the major Allies, descending a stairway into the Ministry grounds. Some delegates (none identifi...
British rough material of the Battle of Amiens, Western Front, mid-August 1918.
Crowds watch as the procession passes. French lancers moving at the trot are followed by a French Infantry band, then more lancers. Tirailleurs in parade uniform are followed by a small US mounted con...
The party assembles in twos and threes outside its hotel, and its members are seated one at a time to have formal portrait photographs taken. The man taking the photographs may be G P Lewis, the MoI o...
A British soldier demonstrates that with his artificial right hand he can rake a garden, pick up and open a bag, light a cigarette, drink a glass of water, use a knife and fork and throw and catch a b...
The crowd watching is mainly civilian, men and women in summer clothes. Out in the oval enclosure soldiers in athletics shorts and vests perform exercise routines with Indian clubs and rifles, after w...
Reporters wait outside a house, including a photographer who takes details from a young sailor. Robey emerges from the house in his normal clothes rather than costume, takes the sailor by the hand and...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.