The film opens with an unrelated shot of troops digging a trench line. It continues as Portuguese mule-drawn field gun limbers come down a steep grassy bank towards the camera. They turn and wheel on ...
Gun limbers and GS wagons move up a sunken road in the rear areas of the battlefield. German prisoners are marched back in column of twos along the road, passing the horsed transport. A horsed vehicle...
Firstly, a column of Infantry marching through a town showing shell damage - the light values have been set wrongly and the film is far too dark. This is followed by British, or possibly Canadian, sol...
WAACs at a temporary shelter serve food to a waiting queue of other WAACs, all very camera-conscious. A WAAC platoon route marches across open moorland. WAACs erect bell tents in woodland with a villa...
The tanks, Males and Females, are all unarmed and instead of battalion numbers carry large training numbers on their noses. Firstly a pan over the instructing officers in front of two of the tanks. At...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
The main street of the village is almost undamaged except for a prominent shell hole in the side of one barn. A British Cavalry signals section of four men, possibly Scots Greys, crouches in an open f...
Five small Commer lorries carry British troops up the road. Civilian refugees are evacuated by another lorry, which drives off. More lorryloads of troops move up the road. The view down from a wrecked...
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...