The film opens with an unrelated shot of troops digging a trench line. It continues as Portuguese mule-drawn field gun limbers come down a steep grassy bank towards the camera. They turn and wheel on ...
Gun limbers and GS wagons move up a sunken road in the rear areas of the battlefield. German prisoners are marched back in column of twos along the road, passing the horsed transport. A horsed vehicle...
Firstly, a column of Infantry marching through a town showing shell damage - the light values have been set wrongly and the film is far too dark. This is followed by British, or possibly Canadian, sol...
WAACs at a temporary shelter serve food to a waiting queue of other WAACs, all very camera-conscious. A WAAC platoon route marches across open moorland. WAACs erect bell tents in woodland with a villa...
The tanks, Males and Females, are all unarmed and instead of battalion numbers carry large training numbers on their noses. Firstly a pan over the instructing officers in front of two of the tanks. At...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
The main street of the village is almost undamaged except for a prominent shell hole in the side of one barn. A British Cavalry signals section of four men, possibly Scots Greys, crouches in an open f...
Five small Commer lorries carry British troops up the road. Civilian refugees are evacuated by another lorry, which drives off. More lorryloads of troops move up the road. The view down from a wrecked...
Julius Urgiss, Oesel genommen, Der Kinematograph, 566, (1917), S. 22-24. Rezension der Aufnahmen des Königlichen Bild- und Filmamtes von der Eroberung der Insel Ösel (Estland, zum russ. Reich gehör...
Voigt, Hildegard L.. "Die Hetze gegen die Lichtbildbühnen." Lichtbildbühne 23 (1913): 1-4. Die Kritiker des Kinos würden nur deren Auswüchse sehen, hätten aber nie ein anständiges Kino besucht. ...
Egon Jacobsohn, Ferdinand Lassalle, Der Kinematograph, 615, (1918), S. 18-30. Bericht von der Uraufführung in Berlin. Die Aufführung sei ein voller Erfolg gewesen, zumal es besonders gut in die Zeit...
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...