British troops of various regiments, mostly wearing hospital blues, getting down from the open top deck of a bus in Regent Street and going into a building, probably a theatre. As they enter ladies gi...
A column of prisoners, "Prussians and Bavarians" moving over rough ground with an escort. A body search of prisoners in a trench. German prisoners help British RAMC men with British and German wounded...
A group of about eight men and women picking grapes in a vineyard - the atmosphere is relaxed and cheerful, with only an overseer figure taking the task completely seriously; a close-up of a girl with...
I. View from the deck of HMS Vindictive, sunk in the raid on Ostend, showing the rest of the harbour. The Germans have scuttled another vessel in the harbour, leaving only the funnel and masts showing...
I. Transport wagons of 12th (Eastern) Division being driven up a slope and round a corner with a push from waiting soldiers, near Lens, 14th October. II. A dressing station, probably near Zonnebeke. B...
The square is surrounded on all sides by people waving flags and cheering. The King and Queen are on horseback in the centre of the square, the King wearing Belgian Army uniform with a shrapnel helmet...
The Prince is piped on board a ship in Dover harbour and his staff line up for inspection. He is greeted by a number of British Army and Royal Navy officers, the most senior being Major Prince Arthur ...
View down the length of a straight road lined with trees. A British staff car, probably the cameraman's, is parked by the road, and an officer watches, back to camera, as lines of refugees come up the...
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
Regiments of Czechoslovak volunteers in Padova swear to the flegs with the participation of the Italian king Vittorio Emanuele III. di Savoia and Czech political representation.
American soldiers sent to France march with the American flags in the streets of Paris.
A soldier with cannon in a trench during the battle of Terron.
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 586, (1918), S. 28ff. Besprochen werden gleich zwei Propagandafilme zur achten Kriegsanleihe. "Lloyd George in Berlin" wird als äußer...
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...