I. A dummy dressed in German uniform suspended at the point of an arch, the entrance to a brewery, with some British soldiers passing nearby, Ath, 17th November. II. Belgian refugees with backpacks ma...
Australian guns in a review, and transport in the rear areas, Western Front, 10th-11th November 1918.I. Australian field guns pass on parade. The inspecting officer is Lieutenant-General J J Talbot Ho...
A procession through the streets of the city, civilians mainly in formal dress, some using crutches. A convoy of cars arrives, and the city mayor gets out from one of them. A column of Belgian Cavalry...
Seen from the shore behind the dock the ferry eases its way into its berth. Its cargo is two loaded munitions trains side by side. An engine reverses up the tracks leading to the ferry, is coupled to ...
Unedited material of the British Army advance towards Germany following the Armistice, 29th November-1st December 1918.I. The gateway of the Kaiser's former headquarters at Spa with a German sentry on...
Part of the ship's company assembled in front of the bridge tower, which shows the ship's crest and battle honours of Rabaul, German New Guinea and Samoa. A flag officer (no clear view) presents one o...
There are three types of trap, all working on the same principle. The Tank Corps men look firstly at a simple 'hedge' of wooden stakes driven at an angle into the ground. A Mark V male tank demonstrat...
A German aerodrome, where British aircrew (including a Captain Benson) and groundcrew pose for the camera. Some of them are wearing bush hats. In front of a hangar are four Fokker DVII fighters, one w...
Film poster
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Still from "Störe nicht die Flitterwochen"
Notes on the censorship of all films depicting themes related with WWI.
Reproduction of a law act of 1917 establishing to prior censorship of films related with WWI.
Commentary on the film and its subject matter (the tribute to Unknown Soldiers lost in World War I).
Notes on 2 documentary films portraying the countrywide tributes to the Unknown Soldiers lost in World War I.
Warstatt, Willi. "Das künstlerische Problem in der Photographie und in Der Kinematographie. II." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 32-34. Warstatt be...
"Eiko in Front !", Der Kinematograph, 454, (1915), S. 15-16. Bericht über die neuesten Wochenschaubilder vom Eiko.