I. A dummy dressed in German uniform suspended at the point of an arch, the entrance to a brewery, with some British soldiers passing nearby, Ath, 17th November. II. Belgian refugees with backpacks ma...
Australian guns in a review, and transport in the rear areas, Western Front, 10th-11th November 1918.I. Australian field guns pass on parade. The inspecting officer is Lieutenant-General J J Talbot Ho...
A procession through the streets of the city, civilians mainly in formal dress, some using crutches. A convoy of cars arrives, and the city mayor gets out from one of them. A column of Belgian Cavalry...
Seen from the shore behind the dock the ferry eases its way into its berth. Its cargo is two loaded munitions trains side by side. An engine reverses up the tracks leading to the ferry, is coupled to ...
Unedited material of the British Army advance towards Germany following the Armistice, 29th November-1st December 1918.I. The gateway of the Kaiser's former headquarters at Spa with a German sentry on...
Part of the ship's company assembled in front of the bridge tower, which shows the ship's crest and battle honours of Rabaul, German New Guinea and Samoa. A flag officer (no clear view) presents one o...
There are three types of trap, all working on the same principle. The Tank Corps men look firstly at a simple 'hedge' of wooden stakes driven at an angle into the ground. A Mark V male tank demonstrat...
A German aerodrome, where British aircrew (including a Captain Benson) and groundcrew pose for the camera. Some of them are wearing bush hats. In front of a hangar are four Fokker DVII fighters, one w...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.