I. A dummy dressed in German uniform suspended at the point of an arch, the entrance to a brewery, with some British soldiers passing nearby, Ath, 17th November. II. Belgian refugees with backpacks ma...
Australian guns in a review, and transport in the rear areas, Western Front, 10th-11th November 1918.I. Australian field guns pass on parade. The inspecting officer is Lieutenant-General J J Talbot Ho...
A procession through the streets of the city, civilians mainly in formal dress, some using crutches. A convoy of cars arrives, and the city mayor gets out from one of them. A column of Belgian Cavalry...
Seen from the shore behind the dock the ferry eases its way into its berth. Its cargo is two loaded munitions trains side by side. An engine reverses up the tracks leading to the ferry, is coupled to ...
Unedited material of the British Army advance towards Germany following the Armistice, 29th November-1st December 1918.I. The gateway of the Kaiser's former headquarters at Spa with a German sentry on...
Part of the ship's company assembled in front of the bridge tower, which shows the ship's crest and battle honours of Rabaul, German New Guinea and Samoa. A flag officer (no clear view) presents one o...
There are three types of trap, all working on the same principle. The Tank Corps men look firstly at a simple 'hedge' of wooden stakes driven at an angle into the ground. A Mark V male tank demonstrat...
A German aerodrome, where British aircrew (including a Captain Benson) and groundcrew pose for the camera. Some of them are wearing bush hats. In front of a hangar are four Fokker DVII fighters, one w...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...
Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...
Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.
Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...