Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
The battalion parades outside a virtually undamaged château. The men wear shrapnel helmets but look quite smart if very tired. They are briefly inspected by their commanding officer (face not seen). ...
The battalion on parade is inspected by its commanding officer (not seen). Men repack their kit after an open-air kit inspection. Some of the men sit resting and eating in the open; one reads the 'Dai...
Views of the camp, showing that "prisoners have ample room for exercise". The prisoners' band of mandolins, violins and drums plays to an audience of prisoners in the open. Prisoners help to unload a ...
The battalion, led by its band, on a route march down a tree-lined lane. A group of the battalion officers. A party of signallers practising training exercises. The band marches up and turns in format...
The battalion and band, with mounted officers, march along a dirt road. The men rest outside the canteen drinking tea. Others play in a river and millpond, including a friendly game of water-polo. A b...
The battalion Transport section cleans and maintains the wagons (note the 'four eights' divisional sign of 32nd Division). The wagons move out through a village. In the blacksmith's yard the horses ar...
The guard changes over outside the battalion headquarters. The battalion sports including "a cuddy fight" (wrestling while being carried on another man's back) and "a reveille race" of dressing in ful...
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Notes on the censorship of all films depicting themes related with WWI.
Reproduction of a law act of 1917 establishing to prior censorship of films related with WWI.
Commentary on the film and its subject matter (the tribute to Unknown Soldiers lost in World War I).
Notes on 2 documentary films portraying the countrywide tributes to the Unknown Soldiers lost in World War I.
Warstatt, Willi. "Das künstlerische Problem in der Photographie und in Der Kinematographie. II." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 32-34. Warstatt be...
"Eiko in Front !", Der Kinematograph, 454, (1915), S. 15-16. Bericht über die neuesten Wochenschaubilder vom Eiko.