Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
The battalion parades outside a virtually undamaged château. The men wear shrapnel helmets but look quite smart if very tired. They are briefly inspected by their commanding officer (face not seen). ...
The battalion on parade is inspected by its commanding officer (not seen). Men repack their kit after an open-air kit inspection. Some of the men sit resting and eating in the open; one reads the 'Dai...
Views of the camp, showing that "prisoners have ample room for exercise". The prisoners' band of mandolins, violins and drums plays to an audience of prisoners in the open. Prisoners help to unload a ...
The battalion, led by its band, on a route march down a tree-lined lane. A group of the battalion officers. A party of signallers practising training exercises. The band marches up and turns in format...
The battalion and band, with mounted officers, march along a dirt road. The men rest outside the canteen drinking tea. Others play in a river and millpond, including a friendly game of water-polo. A b...
The battalion Transport section cleans and maintains the wagons (note the 'four eights' divisional sign of 32nd Division). The wagons move out through a village. In the blacksmith's yard the horses ar...
The guard changes over outside the battalion headquarters. The battalion sports including "a cuddy fight" (wrestling while being carried on another man's back) and "a reveille race" of dressing in ful...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Still from "Der unsichtbare Zeuge"
Hans Mierendorff
Still with Lyda Salmonova, Paul Wegener (on the right, front)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...