Women of the WAAC in the cookhouse serve food to soldiers. Waitresses serving in the officers' quarters. Views of the officers' mess. WAACs playing netball. WAACs tending the graves in a large cemeter...
The film, under-exposed, shows Chinese Labour Corps members working at a docks, carrying away sacks which come down on a sling from a dockside crane. They have difficulty with the sacks, but one large...
Groups of men and officers pose for the camera. The men soap their equipment, and clean their uniforms and rifles. One man stands in a pit with a Lewis machine gun on an anti-aircraft mount and a pair...
The battalion on the march along a metalled road. The men march in salute past their commanding officer (indistinctly seen). The men, taken to a training field, shed their packs and practise bayonet f...
The managing director, M H T Vane, escorts the King (who is in Field Marshal's uniform, and looks very tired) around the plant. They pass a guard of honour made up of the firm's contingent of the St J...
(Reel 1) The series uses dramatised symbols to cover gaps in its actuality material. It opens, as do all the episodes, with a brief scene of an actress portraying 'Justice', blindfold with scales and ...
(Reel 3) The episode starts with the figure 'Justice', which fades out. The captioning is outspoken. "We show you in this episode how extreme were the sufferings of those brave men who went with throb...
(Reel 17) The episode starts with 'Justice'. Thereafter the first part is a re-edited version of IWM 303 GERMAN NAVAL INACTIVITIES and IWM 358 ZEEBRUGGE, showing German sailors in Ostend prior to the ...
Film poster
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Still from "Störe nicht die Flitterwochen"
Notes on the films portraying Portugal’s participation in WWI.
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 27, 1919) -11 (29 May 1919). - Prague: M. Fuchs, 19...
Cinematographic Journal: illustrated weekly for the audience: impartial and independent magazine for all interests cinema. - Vol. 3, No. 1 (February 13, 1919) -11 (May 29, 1919). - Prague: M. Fuchs, 1...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 566, (1917), S. 21-22. Rezensionen zu "Aus des Deutschen Reiches Waffenschmiede", "Höhenluft mit Henny Porten" und "Der schwarze Chauf...
Josef Max Jacobi, Der Triumph des Films, Der Kinematograph, 563, (1917), S. 13-14. Die Macht des Films sei lange verkannt worden, im Krieg aber hätte sie sich bewiesen. Kinobesitzer sollten mit gutem...