Filter

  • Media

    open/close filter

  • Provider

    open/close filter

  • Year

    open/close filter

  • Language

    open/close filter
 

Videos
(3074 Results)

the WOMEN'S AUXILIARY ARMY CORPS [sic] : the work of the WAAC at a base in France [Main]
1918
Imperial War Museums

Women of the WAAC in the cookhouse serve food to soldiers. Waitresses serving in the officers' quarters. Views of the officers' mess. WAACs playing netball. WAACs tending the graves in a large cemeter...

Details
a CHINESE LABOUR CONTINGENT [Main]
1917
Imperial War Museums
Other title(s):
- un CONTINGENTE DE TRABAJADORES CHINOS (on copy held) [alternative]

The film, under-exposed, shows Chinese Labour Corps members working at a docks, carrying away sacks which come down on a sling from a dockside crane. They have difficulty with the sacks, but one large...

Details
the RIFLE BRIGADE [Main]
1918
Imperial War Museums
Other title(s):
- [the BRITISH REGIMENTS] [Allocated Series]

Groups of men and officers pose for the camera. The men soap their equipment, and clean their uniforms and rifles. One man stands in a pit with a Lewis machine gun on an anti-aircraft mount and a pair...

Details
the KING'S ROYAL RIFLES [Main]
1918
Imperial War Museums
Other title(s):
- [the BRITISH REGIMENTS] [Allocated Series]

The battalion on the march along a metalled road. The men march in salute past their commanding officer (indistinctly seen). The men, taken to a training field, shed their packs and practise bayonet f...

Details
the KING'S TOUR ROUND THE NAPIER MOTOR WORKS [Main]
1918
Imperial War Museums

The managing director, M H T Vane, escorts the King (who is in Field Marshal's uniform, and looks very tired) around the plant. They pass a guard of honour made up of the firm's contingent of the St J...

Details
the WORLD'S GREATEST STORY - EPISODE 1 [Main]
1919
Imperial War Museums

(Reel 1) The series uses dramatised symbols to cover gaps in its actuality material. It opens, as do all the episodes, with a brief scene of an actress portraying 'Justice', blindfold with scales and ...

Details
the WORLD'S GREATEST STORY - EPISODE 2 [Main]
1919
Imperial War Museums

(Reel 3) The episode starts with the figure 'Justice', which fades out. The captioning is outspoken. "We show you in this episode how extreme were the sufferings of those brave men who went with throb...

Details
the WORLD'S GREATEST STORY - EPISODE 9 [Main]
1919
Imperial War Museums

(Reel 17) The episode starts with 'Justice'. Thereafter the first part is a re-edited version of IWM 303 GERMAN NAVAL INACTIVITIES and IWM 358 ZEEBRUGGE, showing German sailors in Ostend prior to the ...

Details

Images
(4430 Results)

The Sign of the cross
Poster
1914
EYE Filmmuseum (The Netherlands)
Other title(s):
- The Sign of the cross
Details
The Eleventh hour
Poster
1914
EYE Filmmuseum (The Netherlands)
Other title(s):
- The Eleventh hour
Details
Gaspare
Poster
1912
EYE Filmmuseum (The Netherlands)
Other title(s):
- Gaspare
Details
Dalle stelle alla stalla
Poster
1912
EYE Filmmuseum (The Netherlands)
Other title(s):
- Dalle stelle alla stalla
Details
Mario Bonnard
Poster
1910
EYE Filmmuseum (The Netherlands)
Other title(s):
- Mario Bonnard
Details
Galeotto fu il mare
Poster
1916
EYE Filmmuseum (The Netherlands)
Other title(s):
- Galeotto fu il mare
Details
Vita perduta, una
Poster
1912
EYE Filmmuseum (The Netherlands)
Other title(s):
- Vita perduta, una
Details
Kri Kri cameriere
Poster
1914
EYE Filmmuseum (The Netherlands)
Other title(s):
- Kri Kri cameriere
Details

Texts
(661 Results)

Staat und Kino
Article
1916
DFF – Deutsches Filminstitut & Filmmuseum

Staat und Kino, Der Kinematograph, 514, (1916), S. 11-12. Erörterung der Idee, der Staat könne die Filmproduktion in seine Hände nehmen. Als Beispiel wird die Eisenbahn genommen, die auch zunächst...

Details
Die kommende Geschmackswandlung
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Ludwig Brauner, Die kommende Geschmackswandlung, Der Kinematograph, 593, (1918), S. 15-16. Erörterung des Publikumsgeschmacks. Gegenwärtig sei vor allem Ablenkung vom Kriegsalltag gefragt, jedoch li...

Details
"Um das grosse Erbe". Aufhebung eines Filmverbots
Article
1917
DFF – Deutsches Filminstitut & Filmmuseum

"'Um das grosse Erbe'. Aufhebung eines Filmverbots", Der Kinematograph, 549, (1917), S. 11-14.

Details
Anzeige für "Söhne des Volkes" in Der Kinematograph
Advertising material
1918
DFF – Deutsches Filminstitut & Filmmuseum

Universum Filmverleih, Söhne des Volkes, Der Kinematograph, 620, (1918), S. 3. "Der bisher unter dem Titel 'König des Lichts' angekündigte Film...der neue Film für die neue Zeit"

Details
Neuheiten auf dem Berliner Filmmarkte
Review
1917
DFF – Deutsches Filminstitut & Filmmuseum

Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 550, (1917), S. 15-17. Rezension aktueller Filme. Interessant ist, dass die russische Gesellschaft filmisch thematisiert wird. Karl Schneider,...

Details
Ein Friedensfilm
Review
1918
DFF – Deutsches Filminstitut & Filmmuseum

Arthur Loening, Ein Friedensfilm, Lichtbildbühne, 50, (1918), S. 40 & 56. Der Film greife die aktuelle Sehnsucht nach Frieden auf. Wie aber der Westfälische Frieden einen Machtzuwachs für Frankreic...

Details
Der Friedensreiter
Advertising material
1918
DFF – Deutsches Filminstitut & Filmmuseum

Deutsche Lichtbild Gesellschaft e.V., Der Friedensreiter, Der Kinematograph, 618, (1918), S.22-23.

Details
Der deutsche Film für das Ausland
Article
1918
DFF – Deutsches Filminstitut & Filmmuseum

Der deutsche Film für das Ausland, Der Kinematograph, 620, (1918). Es sei Aufgabe der deutschen Filmindustrie, den negativen Vorstellungen über Deutschland, die im Ausland im Krieg verbreitet worden...

Details