(Reel 29) The opening justifies the series, "It is our contention that all right minded men and women will essentially look in a spirit of reverence upon all these things... This film does not depend ...
I. Lieutenant-General Sir William R Marshall, C-in-C of the MEF, filmed wearing a cap, then a sun helmet. II. Major-General W Gillman, chief of staff of the MEF. III. Major-General H T Brooking, comma...
Soldiers deliver letters at the "Post Hatch". They are taken by motorcycle to the Signal Office, where military clerks use telegraph, telephone and tickertape machines to relay the information.
E...
I. The making of fuses for 18-pounder shells at the Ward End works. The workers are mainly women. This includes a display of all the components and gauges required to make one fuse. The manufacture of...
All very dark, poor quality film. It includes scenes of Gurkhas in trenches, 60-pounder guns firing, British soldiers walking through a lemon grove and other British soldiers resting. This is followed...
The film contrasts young men leaving factory gates, "still at home" with older men "who have to go to war" while their wives and families wait behind. A parade of drill sergeants shows that they are a...
I. The film opens as the Queen leaves a factory escorted by a mayor. It jumps to her inspecting Royal Marines and Royal Navy ratings drawn up at Chatham. The King is also present, in naval uniform. Th...
The soldiers' train arrives at the station. Some are walking wounded, some are stretcher cases. The Swiss guards who help them are wearing the pre-1916 Swiss uniform with the shako, rather than combat...
Paul Wegener, Pola Negri
Still from "Das Liebesbarometer"
Still from "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Still with Asta Nielsen
Screenshot from "Le 14 Juillet 1917. La fête des drapeau"
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...
News of the exhibition in Lisbon of a group of “war films” in a tribute to the allied nations.
FILMEN is the most important Danish film industry magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year).
Lynx. „Kritik.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 80-84. Erläutert die Absicht, künftig in der Zeitschrift Filmkritiken zu veröffentlichen so...
Rennert, Malwine. "Kino und Bühne. Von Willi Rath." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 46-47. Rennert lobt die neu erschienene Broschüre, stellt aber ...
Thielemann, Walter: „Kinematographie und Alkoholbekämpfung.“ Der Kinematograph, 391 (1914). Bericht darüber, dass das Kino dem Alkoholismus entgegenwirke.
O. Verf.. „Kinokommission des Westfälischen Landgemeindetages.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 5 (1913/1914): 108-111. Bericht über die Arbeit der Kinokommi...
Wie steht das Volk zum Kino ?, Das Lichtbildtheater, 6.Jg, Nr.5, (1914). Bericht über die erste soziologische Untersuchung des Kinowesens durch Emilie Altenloth. Ihrem Ergebniss, dass maßgeblich Men...