The men, some in uniform and others in civilian clothes, drive in a fleet of cars through central London to the cheers of the watching crowds. (King George is not shown.) According to the caption ther...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
The Legion, led by its band, marches up to the front of the cathedral at Puy-les-Volontaires for a mass. The Legion in the main square at Breuil holds a review before its leaders while a number of civ...
The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Well behind the lines, a mass of soldiers, most probably from 123rd Division semi-posed as if waiting for transport. A senior officer is with them, possibly Lieutenant-General de Riols de Fonclare, th...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...