The location is a town behind the Western Front. The conscripts, still in civilian clothes, march forward with US soldiers to lay wreaths on the graves of French and US soldiers.Outside the cathedral ...
Refugees watch horsed transport move down a road by a shell dump. The gunners attend to their 155mm howitzers. Lorries move up another road. Gunners check that a 155mm Schneider gun is properly limber...
The Marquis, as a descendant of de Rochambeau, watches the ceremony. The actual presentation is made by the Marquise, watched by a number of civilians. Following the presentation the regiment marches ...
The film opens with a French and US soldier shaking hands, fading into a statue of Lafayette with Washington. Scenes of American troops disembarking at a harbour to substantiate the claim that there a...
Franchet d'Esperey is met from his train by various military representatives of the Allies, British, Italian and Serbian. Franchet d'Esperey goes on with his staff to review part of the French conting...
The formal ceremony takes place at the general's headquarters. He pins decorations on the standards of seven regiments, including that of 21st Battalion, Chasseurs (?). In Châlons, close to the headq...
Men of XXXIV Corps on a German railway line through the Bois de Loges captured intact on 12th August along with a derailed goods train and a dump of shells, mainly 77mm calibre. German prisoners, some...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...
News of the exhibition in Lisbon of a group of “war films” in a tribute to the allied nations.
FILMEN is the most important Danish film industry magazine from the early silent film period. The journal was published in the period 1912-1919 (with 24 issues per year).
Lynx. „Kritik.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 80-84. Erläutert die Absicht, künftig in der Zeitschrift Filmkritiken zu veröffentlichen so...
Rennert, Malwine. "Kino und Bühne. Von Willi Rath." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 46-47. Rennert lobt die neu erschienene Broschüre, stellt aber ...
Thielemann, Walter: „Kinematographie und Alkoholbekämpfung.“ Der Kinematograph, 391 (1914). Bericht darüber, dass das Kino dem Alkoholismus entgegenwirke.
O. Verf.. „Kinokommission des Westfälischen Landgemeindetages.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 5 (1913/1914): 108-111. Bericht über die Arbeit der Kinokommi...
Wie steht das Volk zum Kino ?, Das Lichtbildtheater, 6.Jg, Nr.5, (1914). Bericht über die erste soziologische Untersuchung des Kinowesens durch Emilie Altenloth. Ihrem Ergebniss, dass maßgeblich Men...