Romantic comedy about a young woman's unexpected career as a radio presenter. Willy Verhulst (Lily Bouwmeester) who is still coming to terms with the death of her mother, loses her father as well, ju...
Reportage about the funeral of Mr. and Mrs. Pisuisse. “The burial of the mortal remains of Mr. and Mrs. Pisuisse, who so tragically died on the evening of 26 November”, reads the first intertitle ...
Footage of a competition in Scheveningen, organized by the newspaper 'De Telegraaf', on Tuesday, August 9, 1921 The beach contest in Scheveningen, organized by the newspaper 'De Telegraaf', drew a lar...
Documentary about the lifeboats and rescue activities of the Noord- en Zuid-Hollandsche Redding-Maatschappij The documentary looks at two of the rescue stations of the Noord- en Zuid-Hollandsche Reddi...
Romantic comedy about an orphan girl who falls in love with her benefactor. Judy Aalders (Lily Bouwmeester) grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the t...
In his episodic film, Andreas Morell connects the lifes of rather disparate people who have only one thing in common: their are looking for their personal happiness in metropolitan Berlin. There is po...
In his episodic film, Andreas Morell connects the lifes of rather disparate people who have only one thing in common: their are looking for their personal happiness in metropolitan Berlin. There is po...
"Reportage on what life is in the trenches on the Western Front. It questions the aim to be achieved in spite of the bloodshed and continuation of dying soldiers in the Belgian killing fields. This re...
Cinema italiano - Scena - Treni - Religiosi
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
Cinema italiano - Scena - Treni - Ritratti
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...