A patriotic film tinged with humor and sentimentalism. Stock footage (the crowded town, the departure of warships) and reconstructed war scenes in the desert are part of the second half about th...
From 1891 to 1945, a popular form of iconography thrived next to the official one documenting Italy’s political and social life. This alternative iconography can be found in humorous and satir...
Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
Spanish writers and personalities devoted to their hobbies: reading, walking, painting or visiting a museum.
Documentary in two parts about Amsterdam's ports Documentary about the activities in Amsterdam's ports. We see images of shipbuilding, of the shipping traffic on the IJ and the Amstel, and the transfe...
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
On the staging and filming of a party on the allied armies in the WWI.
Helena Bonham Carter, Hilary Swank (left to right) in "Eleanor & Colette" (2017)
Inger Nilsson, Beppe Wolgers
Stephan Remmler, Peter Behrens (v.l.n.r.)
"Heidemelodie" (1956)
Szene mit Gerulf Pannach
Peter Ludolf, Uwe Ludolf, Manfred Ludolf, Horst Günter Ludolf (v.l.n.r.)
Nicholas Saputra
Mark Lombardi
Screenplay (excerpt) of "Am Tag als der Regen kam".
Daily production report No. 16, 15 September 1956 on the shooting of "Ein Mann muß nicht immer schön sein".
Daily production report No. 20, 04 September 1964 on the shooting of "Das 7. Opfer".
Daily production report No. 29, 06 October 1959 on the shooting of "Am Tag als der Regen kam".
Brief des bayerischen Innenministeriums an die Präsens-Film GmbH vom 09.06.1933. Betreff: Widerruf des Bildstreifens "Frauennot - Frauenglück". Ablehnung der Zurücknahme des Widerrufsantrags.