Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
En revolverkvinde ved navn Ellen rider ind i western-byen Redemption, fast besluttet på at hævne sin faders død. Ellen har ventet mange år på at blive så stor (og så hurtig), at hun tør stå o...
To unge amerikanere beslutter sig af vidt forskellige grunde til at sælge top-hemmelige oplysninger til Sovjetunionen.
O. Verf.. „Der Mangel an Aktualitäten.“ Der Kinematograph 400 (1914): 3-4. Artikel, der den Mangel an aktuellen Aufnahmen aus dem Krieg beklagt. Der Krieg sei die richtige Gelegenheit für die Pr...
Elster, Alexander. "Kinogewerbe und Kinokunst." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 172-173. Die wirtschaftliche Lage des Kinogewerbes verhindere eine kÃ...
Auszug aus der deutschen Filmzeitung vom 04.04.1930.
Day out of days for "Der Würger von Schloß Blackmoor".