Manos (Stefanos Stratigos), owner of a nightclub, is followed by a mysterious woman (Ilya Livykou). At the same time, the singer of the club (Efi Oikonomou) tries to get close to him, earning the trus...
This is a documentary which depicts life in Cuba and in the Cuban community of Athens, focusing on such Cuban musicians as Raidel, Magali, Pedro, Pilar, and others.
Mary and Nikos (Aliki Vougiouklaki and Alekos Alexandrakis) are a happily married couple whose life turns upside down when Mary’s friend, Lilly (Maro Kontou), borrows their new car. When Lilly crash...
Three cousins who share the same name and surname, Christos Delimanis, all share a large courtyard. The first one is a police officer, the second a habitually unemployed communist, while the third is ...
A Greek-British co-production featuring the adventures of a British secret agent (Lakis Komninos) who accepts his last mission in Greece. His mission proves to be very dangerous when double agents get...
The film is based on a true incident. In the year 1953, in a tobacco-growing village in Macedonia, a strange murder is committed. During the court hearing, it is evident, from the testimonies of the w...
Alexis is a soldier who manages to survive a deadly battle and then becomes a deserter, taking refuge in the barn on a nearby farm. Ermina, the young landowner’s wife, discovers him and offers him f...
When a friend of his dies, an isolated writer decides to abandon his solitude and look into the reasons for the loss of his friend. This decision will force him to face the people around him and final...
A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...
The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...
Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...
A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...
The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...
A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...
The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...
The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS