A documentary about religious rituals related to the passion of Christ as they are portrayed in different but similar ways in countries around the Mediterranean.

A group of ELAS (Greek People’s Liberation Army) partisans undertake a very dangerous mission. Among its members are experienced demolition experts, such as private Memos and captain Angelos, who is...

Two friends (Takis Moschos and Minas Chatzisavvas) live together in the house which was turned over to them by a third friend (Thanasis Mylonas). They follow a peculiar rhythm of life, spending their ...

Andreas Galanis’ return to his island awakens hatreds and passions from the past. The poor inhabitants of the mountain village Agrilia make their living through logging and every day face the abuse ...

Journalists Dimitris and Christina (Lampros Konstantaras and Maro Kontou) are a married couple who regularly quarrel, chiefly because Christina keeps referring to an old love affair with a man named S...

A literature professor gets a job at a high school famous for its untamed students and suffers from their pranks. When he falls in love with one of his students, however, he reveals another side of hi...

Theophilos Chatzimichail (Dimitris Kataleifos), the legendary painter from Lesbos, drops western garb and begins to wear the traditional Greek outfit. He often dresses like the national heroes he pain...

A prisoner of war who has escaped from Albania claims to be a Greek Army Major named Alexandros Vergis. This causes great confusion in the army, since Vergis had escaped a year earlier and now works f...

The presentation engages in its most part with the personality of the "story teller" Fellini, before analyzing the WHITE SHEIK, which was created, as mentioned, "with an enviable fervor for satire". T...

Programme of the Little Club of the Greek Film Archives. Screening of the film “RACHEL, RACHEL”, directed by Paul Newman with Joanne Woodward and Estelle Parsons. Then follows the plot of the film...

Frank Capra makes "LOST HORIZON" in 1937, based on a novel by the British writer James Hilton, which does not fit in with his idiosyncrasy, after winning the Oscars for Best Director for the films "IT...

Critique presentation of the film with several details about the director, whom considers as on of the most rebellious of the School of New York. Refers to the view of great directors about his work, ...

The programme for the film "Night and the city" contains biographical notes on Dassin and his earlier films. It stresses that the elements of police and suspense figure prominently in his films and sa...

According to the program, the movie underlines the mystique side of Herzog's powerful talent. After this finding, a brief plot summary is provided and then follow some thoughts about the relation of t...

On the cover of the edition of the Association of Pentagians – Pentagian Thought, there is an announcement of the screening, restored by the Greek Film Archives, of the film "Maria from Pentagioi", ...

Programme for the PALACE Cinema. The name and address (in brackets) of the cinema, at the Army Pension Fund Hall, the film's title, "THE GOLDWIN FOLLIES", rating, "Unsuitable for the underage", and s...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS