Upon returning from their vacation abroad, the Vardis couple find their daughter dead from a drug overdose. A policeman searches her past and discovers that the man responsible for her death is a memb...
Minas Kanoudis, a conscientious and honest employee, is responsible for the supplies division of the company ‘Pyrsos’. He is absolutely reliable regarding his duties. His wife Eva is loyal and obe...
A young man is told by his dying mother that he was adopted. After her death, he looks for his real parents.
A girl from the country comes to Athens, stays in her aunt’s house and falls head over heels in love with a radio technician. She becomes a famous singer of popular Greek songs, but does not hesitat...
A rich Greek woman from the USA spends her holidays in Greece. She and her friend (Kakia Analyti) meet two friends (Andreas Barkoulis and Kostas Kakkavas). One of them is rich and the other poor, and ...
Kostas (Kostas Voutsas), who is a stowaway, finds shelter in the house of the ship’s doctor (Vangelis Seilinos). In return for his help, the doctor asks Kostas to pretend to be the doctor and meet R...
The neighbors of Christina and her mother are a man who dreams of singing and the son of a rich family, who isn’t interested in money but in becoming a painter. Both young men are in love with Chris...
A drug-trafficking gang is led to ruin by the conspiracies and intrigues of its members.
A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...
The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...
Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...
A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...
The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...
A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...
The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...
The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...
STILL ABOUT TASOS PSARAS “SOUS UN PRETEXTE DERISOIRE” IN FRENCH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS. [photo of the front cover].
Monthly publication of cinematic art. Illustrated.
STILL ABOUT NIKOS PANAGIOTOPOULOS’ FILM “THE COLORS OF THE SPECTRUM” WITH THE FACTORS OF PRODUCTION AND THE PLOT. [photo of the front cover].
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
Weekly publication featuring a variety of topics on cinema. Page 461 is selected: "Save yourself from stage fright. The troubles of being on stage". 8th FORMAT
DECOUPAGE WITH DETAILED REFERENCE TO THE NUMBER OF SCENES, IMAGES AND SHOTS.
PLAYBILL OF THE “TIMES SQUARE THEATRE”, 20 APRIL 1924, ANNOUNCING THE FILMS THAT WILL BE SHOWN. IT INCLUDES MANY PHOTOS FROM THE GREEK FILM “THE GIPSY WOMAN FROM ATHENS”.
STILL ABOUT VASILIS GEORGIADIS’ “THE SACRIFICE”: THE FACTORS OF PRODUCTION, CAST AND PLOT IN ENGLISH AND FRENCH.