These are three stories based on Greek traditions and infused with metaphysical elements. The first story, “The Changed”, from the Peloponnese, narrates how demons take the place of babies in thei...
The Italian ambassador’s daughter (Giorgos Moschidis and Vera Krouska respectively) is in love with an officer of the Greek army, Dimitris Nikolaou (Kostas Prekas). The Greek-Italian war separates t...
Aliki, granddaughter of a destitute fisherman, captain Kostis, meets one day at the beach an unscrupulous bad guy, Papoulas, who tries to rape her, but she is saved by a young man who accompanies him,...
Iro Konstantopoulou was thirteen years old when the Germans invaded Greece. Despite her age, however, she got involved with the resistance. When she was arrested for the first time, her rich father ma...
A description of the Greek Army’s campaign in Asia Minor, featuring footage shot by Giorgos Prokopiou.
Two Cypriots, Evagoras and Onisimos (Georges Corraface and Dimitris Velios) are the owners of a nightclub and are being blackmailed by their former boss (Seymour Cassel). The latter is asking for a cu...
The film follows a traveling troupe of actors around Greece, always performing the same play, “Golfo” by Spyridon Peresiadis. The dynamics among the troupe’s members have a powerful symmetry to ...
Three men meet each other in prison and decide, when they are released, to set a garbage recycling company. They are so succesful that persons and organisation rival them and attempt to block them, as...
The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...
Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...
The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...
The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...
The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...
The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...
Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...
It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [photo of the front cover].
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
OFFICIAL PUBLICATION OF THE GREEK CLUB OF AMATEURS CINEMATOGRAPHERS.ILLUSTRATED.
Weekly publication featuring a variety of topics on cinema. Page 219 is selected.8th FORMAT.
THE MUNICIPAL ATHENS THEATER PROGRAM ABOUT THE EXTRA PERFORMANCE OF “IN HONOR OF THE ROMOUNIS” GIVEN AT THE NEA SKINI STAGE IN 1901.
STILL ABOUT NTINOS DADIRAS’ “RENDEZVOUS IN VENICE”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS