These are three stories based on Greek traditions and infused with metaphysical elements. The first story, “The Changed”, from the Peloponnese, narrates how demons take the place of babies in thei...
The Italian ambassador’s daughter (Giorgos Moschidis and Vera Krouska respectively) is in love with an officer of the Greek army, Dimitris Nikolaou (Kostas Prekas). The Greek-Italian war separates t...
Aliki, granddaughter of a destitute fisherman, captain Kostis, meets one day at the beach an unscrupulous bad guy, Papoulas, who tries to rape her, but she is saved by a young man who accompanies him,...
Iro Konstantopoulou was thirteen years old when the Germans invaded Greece. Despite her age, however, she got involved with the resistance. When she was arrested for the first time, her rich father ma...
A description of the Greek Army’s campaign in Asia Minor, featuring footage shot by Giorgos Prokopiou.
Two Cypriots, Evagoras and Onisimos (Georges Corraface and Dimitris Velios) are the owners of a nightclub and are being blackmailed by their former boss (Seymour Cassel). The latter is asking for a cu...
The film follows a traveling troupe of actors around Greece, always performing the same play, “Golfo” by Spyridon Peresiadis. The dynamics among the troupe’s members have a powerful symmetry to ...
Three men meet each other in prison and decide, when they are released, to set a garbage recycling company. They are so succesful that persons and organisation rival them and attempt to block them, as...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Monthly publication of the Association of Technicians of the Greek Cinema and Television.
Monthly publication of cinematic art.
STILL ABOUT KOSTIS ZOIS’ FILM “SILHOUETTES”: THE PLOT, DIRECTOR’S BIOGRAPHICAL NOTES, FACTORS OF THE PRODUCTION AND CAST.
STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
IT INCLUDES: COLOR FILM, LIGHT COLOR, FILM-COLOR-LIGHT TEMPERATURE, TEMPERATURE MEASUREMENTS, FILTERS, TEMPERATURE CORRECTION FILTERS.
SCRIPT OF THE FILM “SIX OF US ARE LEFT OUT OF EIGHT” AND THE PLOT. TYPED DOCUMENT DULY STAMPED AND BEARING THE INSCRIPTION “APPROVED”. AT THE TOP OF THE PAGE THERE IS A HANDWRITTEN NOTE: “TH...
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.