A young woman who lost her husband in a tragedy at sea near Indochina five years earlier doesn’t give up hope. She lives with him in her thoughts and with the certainty that one day he will return a...
Polyxeni (Niki Linardou) catches her husband (Gianis Gionakis) flirting with their young housekeeper (Anna Fonsou) and, enraged, fires the girl and abandons her husband. She goes to live at her parent...
Watermelon, a girl as beautiful as cool water, entwines herself around various men who desire and surround her.
The conflict between different codes and cultures in our time as seen through varying representations of the female body. An experimental film in which the female perspective is evident.
In a small village, the inhabitants have a tradition of stealing from each other. The village priest and the local policeman (Thodoros Exarchos and Koulis Stoligkas) try in vain to make them forswear ...
Five people: a French archaeologist, his Greek assistant, his daughter, a journalist who is his daughter’s friend and an old teacher who is a permanent resident of the area meet at an archaeological...
A coach for marathon runners faces continuous stress in his life thanks to his twin passions: running and women.
The PALACE Cinema program. On the front cover, cover: “Week 20-26, January 1936, ‘THE FEMALE INTRUDER” starring Brigitte Helm, Carl Deal, Z. Smits, G. Alexander”. Inside, an advertisement abou...
The film has as central heroine a queen with international adventures, rich but tired from the luxury of her life, who decides to help the British government to overcome the Middle East crisis. The fi...
A well-documented critical review about this film that revived not only French, but also international cinema, and is considered “one of the best applications of the cinema of truth”. The review t...
The poster is dominated by the figure of Aliki Vougiouklaki, who is depicted semi-naked, holding before her chest a straw hat that covers her naked body, and giving a coy grimace. Next to her, the two...
The critical presentation is rather reserved as regards the intended effect of the film and argues that Losey's historical re-enactment is inaccurate, although at times it reveals the great director's...
Programme for the IRIS Cinema It is a flyer with the name of the cinema, the film's title, "MY HEART LONGS FOR LOVE", and the synopsis. There is also an announcement about the forthcoming film "GIVE ...
This film "has been made to measure" for Bardot, who is "cast as the new persona of the French cinema". Roger Vadim introduces "a novel sex language … suggestive … sharp and imbued with great sorr...
The program for the screening of the film "The Workshop of Dr. Caligari " highlights the importance of the film for expressionism. It also mentions that the film’s collaborators combined their art a...
IT INCLUDES: COLOR FILM, LIGHT COLOR, FILM-COLOR-LIGHT TEMPERATURE, TEMPERATURE MEASUREMENTS, FILTERS, TEMPERATURE CORRECTION FILTERS.
PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...
STILL ABOUT PAVLOS TASIOS’ “PARANGELIA” IN ENGLISH: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS. [photo of the front cover].
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
STILL ABOUT P. GLYKOFRYDIS’ FILM “THE PEDDLER”. A FEW WORDS ABOUT THE FILM, CREW AND CAST.
STILL ABOUT THE FILM “THE VIKINGS”. A FEW WORDS ABOUT THE FILM.
The contents and title of the magazine are in Greek and French. Features articles and studies on the theatre and cinema: "Cannes. Newsreel and movies from the Festival", "The greek movies in 1959-196...