Frixos, a blunderer who thinks he is real Sherlock Holmes, works as a detective in a investigations agency, where, one day, he is assigned to find the niece and sole heir of a major shipowner Minas Gi...

A documentary presenting people and events connected with the most important political developments from the student uprising at the Athens Polytechnic in 1973 until the first year of democratic rule ...

After doing his thesis in Law in Germany, Stelios Lempeniotis returns to Greece but fails to get the teaching job at the University he expected. Therefore, he goes to work at Xenakis’ law office. St...

A story of the joys and sorrows of the tenants living in a picturesque courtyard in a poor, old Athenian neighborhood. We observe the lives of the tenants, who represent characteristic types of their...

When her lover (Nikos Tzogias) is brutally murdered, the accused woman (Eleni Chatziargyri), although innocent, refuses to defend herself, in an effort to avoid confessing a secret that would destroy ...

A young woman, Marina, is accused of kidnapping her child. Years earlier, when she was a singer in a nightclub, she fell in love with and married a sailor, Andreas, over the objections of his sister a...

A dramatized documentary about the history and life of the residents living in the Pontian village of Karatzova. The residents of this and many other villages were forced to abandon their homes and go...

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three differ...

The program presents F. Truffaut's Film BED & BOARD (or DOMICILE CONJUGAL) in which Antoine cheats on Christine with a young Japanese girl, Kyoko. The light style by which this serious issue is treate...

Programme for the ATHINA Cinema. It is a flyer with the name of the cinema, film's title, "CARMEN", starring IMPERIO ARGENTINA, synopsis and rating, "Unsuitable for the underage".

The programme for the film "Mother" includes the credits and synopsis. There is a report on Pudovkin's statement that this film was his attempt to break away from Eisenstein's style and a comparison i...

Brief presentation of the movie that is designated "comedy-thriller or a thriller-comedy". "Interesting screenplay", "excellent performance" by Scot.

The programme for the screening of the film "The last engagements" first gives information from the credits and then information on the biography and career of the director as well as the titles of hi...

The programme for the film "The seventh seal" lists the credits, stresses the director's importance in the light of the "faith and infidelity of a great religious man". Accordingly, it looks into his ...

The programme for the screening of the film "Everything in order, but.." starts by giving biographical and career information on the director and then lists the titles of his films. It then goes on to...

A few words about the plot and a brief review about the work of the director who manages through a presentation of his heroine's everyday life to demonstrate the daily life of the soviet citizen witho...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS