Thanasis (Thanasis Vengos) is a kind, hard-working man, a mover, but the money he makes never seems to be enough. He is still trying to make the payments for his truck and at the same time save enough...

A night watchman (Giorgos Fountas) falls for a nightclub singer (Katerina Theochari) in Troumpa and persuades her to live with him and give up the nightlife. When, however, she discovers that he’s ...

A successful lawyer, Marios, and his wife, Margarita, live in Athens, leading a quiet and rather conventional life according to established, average, middle-class standards. The husband has a love aff...

This story is about the love affair of a young artist (Michalis Nikolinakos) with a gypsy girl (Anna Kalouta) and about the love of another couple (Titika Gaitanou, Giorgos Kampanellis), and how the t...

The father (Vasilis Avlonitis) of four daughters of marriageable age brings home a man (Ntinos Iliopoulos) as a potential candidate for one of them to marry. One daughter is interested in him, but he...

A Greek family, who were immigrants in France, return to Greece permanently. While they are traveling by train, the woman disappears. The father and the child look for her along the train tracks. Fina...

A poor medical student (Nikos Xanthopoulos) drops his studies and works as a traveling salesman, following in the steps of his father (Nikitas Platis) - thus hoping that he can stop feeling guilty abo...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT NIKOS FOSKOLOS’ “VISIBILITY ZERO”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

THE “REX” CINEMA PROGRAM ABOUT THE FILM “THE BOY AND THE DOLPHIN” WITH A WEALTH OF INFORMATION ON THE FILM, CAST, FACTORS OF PRODUCTION AND A LOT OF PHOTOS.

PHOTOGRAPHIC COLLAGE WITH SNAPSHOTS OF THE CAST FROM ST. CHATZOPOULOS’ FILM “TWO OF US ARE LEFT OUT OF SIX”. TOP RIGHT, THE FILM TITLE IN WHITE CAPITAL LETTERS. BOTTOM: “MUSIC BY TH. MOROS, PR...

Cinematic sheet-shaped newspaper, featuring a variety of topics on the Cinema.

THE “REX” CINEMA PROGRAM ABOUT THE FILM “THE BOY AND THE DOLPHIN” WITH A WEALTH OF INFORMATION ON THE FILM, CAST, FACTORS OF PRODUCTION AND A LOT OF PHOTOS.

Cinematic sheet-shaped newspaper, featuring a variety of topics on the Cinema.

STILL ABOUT GIANNIS DALIANIDIS’ “NAKED IN THE STREET”: THE PLOT, FACTORS OF PRODUCTION, CAST AND PHOTOS.

LICENSE GRANTED BY THE PRESIDENCY TO THE GOVERNMENT IN 1955 FOR THE RELEASE OF THE FILM “STELLA”, WHICH IS RATED UNSUITABLE FOR PEOPLE UNDER 18. HANDWRITTEN DOCUMENT.