Stavros (Stavros Paravas) finishes his military service, rents a small room at the house of Mrs. Olympia (Marika Nezer) and, with the help of a friend of his (Giorgos Papazisis), finds a job. Stavros,...
The historic collapse of paganism, and the Christianity that emerged as its successor, is the theme of the film in question. An enclosed and circular décor – that comprises a direct reference to th...
Miss Avra (Sapfo Notara) has a tenant named Petros (Giorgos Pantzas), who decides to write the biography of colonel Kolaris (Alekos Leivaditis) on the recommendation of his friend Aris (Giannis Vogiat...
This experimental film plays with the representation and alternative views related to metaphors for the passage of time, while also functioning as a study on the origin and nature of images. The artis...
A retired General and old-fashioned father, Charilaos (Orestis Makris), has four daughters: Eleni (Gelly Mavropoulou), Katina (Tzeni Karezi), Maria (Margarita Papageorgiou) and Angeliki (Niki Papadato...
A very rich man, Tony (Kostas Chatzichristos) is in love with a poor girl (Beata Asimakopoulou) and wants to marry her despite his father’s objections (Christos Tsaganeas). The girl’s brother (Mim...
Two crooks spend their time stealing, murdering and having love affairs, until the police catch and arrest them.
The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...
Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...
The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...
The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...
The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...
The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...
Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...
It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...
STILL ABOUT G. TZAVELLAS’ “SOPHOCLES’ ANTIGONE”. A FEW WORDS ABOUT THE FILM.
STILL ABOUT TAKIS KANELLOPOULOS’ FILM “THE EXCURSION”: THE PLOT, CAST, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.
A SIXTEEN-PAGE LEAFLET: THE INDEPENDENT GREEK CINEMA. A MATERIALISTIC APPROACH TO THE CINEMA.
Weekly publication featuring a variety of topics on cinema. Page 321 is selected: "Norma Shearer". 8th FORMAT.
Cinematic Magazine.
STILL ABOUT VASILIS MARIOLIS’ FILM “PSAROGIANNOS” WITH THE FACTORS OF THE PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the inside].
STILL ABOUT THE FILM “MURDER AT KOLONAKI” WITH THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the back cover].
STILL ABOUT TH. ANGELOPOULOS’ “LANDSCAPE IN THE MIST” (PAYSAGE DANS LE BROUILLARD) IN FRENCH: THE PLOT, FACTORS OF PRODUCTION AND PHOTOS. [photo of the front cover].