Stavros (Stavros Paravas) finishes his military service, rents a small room at the house of Mrs. Olympia (Marika Nezer) and, with the help of a friend of his (Giorgos Papazisis), finds a job. Stavros,...
The historic collapse of paganism, and the Christianity that emerged as its successor, is the theme of the film in question. An enclosed and circular décor – that comprises a direct reference to th...
Miss Avra (Sapfo Notara) has a tenant named Petros (Giorgos Pantzas), who decides to write the biography of colonel Kolaris (Alekos Leivaditis) on the recommendation of his friend Aris (Giannis Vogiat...
This experimental film plays with the representation and alternative views related to metaphors for the passage of time, while also functioning as a study on the origin and nature of images. The artis...
A retired General and old-fashioned father, Charilaos (Orestis Makris), has four daughters: Eleni (Gelly Mavropoulou), Katina (Tzeni Karezi), Maria (Margarita Papageorgiou) and Angeliki (Niki Papadato...
A very rich man, Tony (Kostas Chatzichristos) is in love with a poor girl (Beata Asimakopoulou) and wants to marry her despite his father’s objections (Christos Tsaganeas). The girl’s brother (Mim...
Two crooks spend their time stealing, murdering and having love affairs, until the police catch and arrest them.
The PALACE Cinema program. On the front cover, cover: “Week 20-26, January 1936, ‘THE FEMALE INTRUDER” starring Brigitte Helm, Carl Deal, Z. Smits, G. Alexander”. Inside, an advertisement abou...
The film has as central heroine a queen with international adventures, rich but tired from the luxury of her life, who decides to help the British government to overcome the Middle East crisis. The fi...
A well-documented critical review about this film that revived not only French, but also international cinema, and is considered “one of the best applications of the cinema of truth”. The review t...
The poster is dominated by the figure of Aliki Vougiouklaki, who is depicted semi-naked, holding before her chest a straw hat that covers her naked body, and giving a coy grimace. Next to her, the two...
The critical presentation is rather reserved as regards the intended effect of the film and argues that Losey's historical re-enactment is inaccurate, although at times it reveals the great director's...
Programme for the IRIS Cinema It is a flyer with the name of the cinema, the film's title, "MY HEART LONGS FOR LOVE", and the synopsis. There is also an announcement about the forthcoming film "GIVE ...
This film "has been made to measure" for Bardot, who is "cast as the new persona of the French cinema". Roger Vadim introduces "a novel sex language … suggestive … sharp and imbued with great sorr...
The program for the screening of the film "The Workshop of Dr. Caligari " highlights the importance of the film for expressionism. It also mentions that the film’s collaborators combined their art a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS