A director, going through an existential and creative crisis, tries to conceive and write a screenplay for his new film. He makes up a story where the protagonist is a successful man in an existential...

Geralis (Nikos Kourkoulos), a conscientious neurosurgeon who is dedicated to his science and his child, is called upon to perform brain surgery on a patient with a brain tumor. The operation is a succ...

The film adaptation for the modern era of the ancient tragedy The Bacchae. Pentheus is celebrating his birthday, and surreal scenes unfold before his eyes, arousing doubts in the celebrant as to wheth...

The film is set around the time of the Battle of Crete and the Cretan resistance against the German occupation during World War II. The plot revolves around the kidnapping of Tasoula Vardinogianni by...

The two owners of stores featuring modern clothes, hard-working, strict and conservative Pantelis (Nikos Stavridis) and cheerful and optimistic bon vivant Fotis (Ntinos Iliopoulos) may have completely...

Pavlos and Kostas are partners in an advertising agency. Pavlos never misses an opportunity to flirt with aspiring stars, such as Daisy, but when his wife Toula finds out, her reaction is swift and cl...

Neofytos (Lampros Konstantaras), Savvas (Dimitris Nikolaidis) and Lampis (Orfeas Zachos) are three middle-aged bachelors who forbid their nephew Ntinos (Pavlos Liaros) from marrying his beloved Kaiti ...

Two cousins inherit a house, which presents them with a problem, because they have different ideas about what to do with it. Achilleas (Vaggelis Seilinos) wants to turn it into a nightclub where he co...

Beyond the schedule of films at the Film Archives for November 1990, at the beginning of the brochure it traces forty years of growth and contribution to cinema, from the first screening at the Cinema...

The success of the well-made western " HIGH NOON", adapted from John Cannigham's "ΤΗΕ ΤΙΝ STAR", is based on Forman's skill as a director, the acting talent of Grace Kelly and Gary Cooper and St...

The introduction to the programme for the dedicated to Vassilis Maros gives information of his life and career. Then there are sections with photographs and captions: -The Creative Reshaping of Reali...

The program of the screening of the film "God Needs People” provides information both on the career and filmography of Delanois and his importance among other representatives of the French nouvelle ...

The program begins with the reference of other films of the movie maker, which preceded the CROWD and continues with the description of the film and of the "familiar theme of common man, who is crushe...

The introduction to Hans Jürgen Syberberg gives biographical details followed by references to his films (for "Parsifal" it also provides an article by Ι. Ζotos).

Programme for the PANTHEON Cinema. Artwork with the cinema's distinctive logo, a notice that the cinema is the official screen for the American Film Company and information about the cinema management...

Details are given about the plot of a movie that "nails you down and at the same time makes you think". Some extracts are given from the reviews of the German-speaking press.

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS