A miserable young man (Thanasis Vengos) agrees to help his cousin (Tasos Giannopoulos) to escape his friend Lina. In return, his cousin must land him a job at the tourism agency where he works. Fair...
Two unemployed wretches (Nikos Stavridis and Giannis Gkionakis) have been friends for years and have many adventures together. They fall in love with two girls (Kleo Skouloudi and Popi Lazou); they me...
A typist meets a young man who works at a garage and who pretends to be an important businessman. She does the same thing, pretending to be the daughter of her industrialist boss. In the end, everythi...
Rena Vasileiadi is a pretty young woman who is in love with Dimitris. He works as a mechanic at her father’s factory. She flirts with him, and he is responsive to her affection - up to a point. Anot...
Angelos Mourouzis (Nikos Kourkoulos) is a former pilot who has taken to booze and gambling. One day, he is appointed president of a committee that is assigned to investigate the causes of an air trage...
A woman (Despoina Stylianopoulou) offers shelter to an English army officer (Michalis Nikolinakos ) who arrives on Mykonos, which, at that time, was under Italian occupation.
Petros Apostolou is a talented young musician who comes to Athens and soon manages to record his first record. He achieves success and falls in love with Anna, who is the niece of Mr. Theocharis, the ...
Anna (Anna Vagena), adopted daughter of a petit bourgeois Athenian family, is to get married to a fellow-townsman of hers, Kosmas (Stavros Kalaroglou). They meet and spend Sunday together. Anna’s bo...
The notes begin with a reference to Aeschylus’ tragedy of the same name “The Persians”, and move on to a critique of the adaptation by Jean Prat, noting that “he uses the costumes and masks in...
Programme for the PALLAS cinema. On the cover, information on the address of the cinema, which is housed in the Army Pension Fund Building, the title of the film currently showing: "NO TOMORROW" and t...
The long programme, written by M. Komninou, informs us that Lang’s inspiration was the serial killer Peter Kurten and the fact that the murderer, after first eluding the police, was arrested by the ...
Short presentation of the film that had been banned from shown in France due to its bold theme. A few words about the story and the performance of Anna Carina as well as about Rivette as a theoreticia...
The film is based on the novel "Oblomov" of the classical writer of Russian literature, Ivan Goncharov. "we wanted "Oblomov" to be a literary film" says the film maker. The movie sequences of Michalko...
A pictorial poster, made by St. Almaliotis. In the middle of the poster, within a circular frame, the title of the movie reads in red, capital letters: THE ABDUCTION OF PERSEPHONE. Below, in grey mono...
The programme for the film "The Stagecoach" refers to Ford's skill for outlining human fate and includes comments on the genre of the western he directed. This is followed by the synopsis and referenc...
The programme for the film "The Gospel According To St.Matthew" lists the credits. There is reference to the Gospel and Pasolini's cinematic rendering. There are statements made by the director and mo...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS