Marios (Dimitris Zakynthinos) becomes the target of Elena and Mike (Elena Nathanail and Nikos Verlekis), two industrial spies who plan to steal his patent for a solar energy gathering machine. Marios ...

Ilias has been dreaming of becoming a doctor since he was a child, and is now in the final stage of his studies. He is a true altruist, who wants to help his fellow man and combat tuberculosis. His gi...

An easily frightened provincial, Markos Tremoulas, is in love with the village president’s daughter, Myrto, and so he comes to Athens to collect a loan, which had been approved, to build a hotel com...

Poor young ophthamology student Stefanos, the son of a janitor, is in love with Liza, a doctor’s daughter. And while Liza loves him in return, her parents frown on her relationship with someone not...

A powerful man (Pantelis Zervos) on the island of Lesvos who treats his employees in an olive-oil company badly, quarrels with a young man (Petros Fyssoun) who is in love with the man’s younger wife...

The Minister of Industrial Development faces two problems. One the one hand, his wife, after her unsuccessful suicide attempt, turns against him and takes up with his former associates, who oppose the...

An utterly happy wife, Martha, becomes partially paralyzed, and her husband, Alekos, does everything he can to help with her therapy – causing his financial ruin. Martha, understanding that she is t...

Odysseas and Tzimplas (Giorgos Pantzas and Stathis Psaltis) come to Athens in the hope of fixing their lives. They find a room and work at the factory of Aristomenis (Grigoris Vafias). When rumors eme...

A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...

The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...

Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...

A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...

The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...

A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...

The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...

The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...

STILL ABOUT M. KAKOGIANNIS’ “TROJAN WOMEN” WITH A LOT OF PHOTOS FROM THE FILMING UNDER M. KAKOGIANNIS’ DIRECTION.

Weekly publication featuring a variety of topics on cinema. Page 485 is selected: "Cinematographic promenades with Orestis Laskos". 8th FORMAT

STILL ABOUT ARIS KARAISKAKIS’ DOCUMENTARY “THESSALONIKI”.

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

THE ATHENS FILM CLUB PROGRAM FOR A RETROSPECTIVE OF YASOHIRO OZU’S FILMS, FIVE FILMS: LATE SPRING, THE HISTORY OF TOKYO, EARLY SPRING, GOOD MORNING, LATE AUTUMN.

Monthly Cinematic Magazine.

SMALL ONE-PAGE POSTER ABOUT THE FILM “LADY MAYOR” WITH SNAPSHOTS FROM THE FILM, THE FACTORS OF PRODUCTION AND CAST.

POSTER ABOUT TONIA MARKETAKI’S “CRYSTAL NIGHTS” WITH A BEAUTIFUL PHOTO FROM THE FILM, THE FACTORS OF PRODUCTION, PLOT AND THE DIRECTOR’S BIOGRAPHICAL NOTES AND FILMOGRAPHY