Miranda, who is paralyzed, becomes the victim of an employee of her father’s who is after her money. She finds solace in a man who truly loves her.

In a maternity clinic the prostitute Sonia substitutes her baby for someone else’s which died soon after birth. Years pass, and the child grows up with Pavlos and Eleni, who have no idea that the c...

A young man wants to kill his parents and his mother’s lover. While running in the street, he gets hit by a car. He ends up in the hospital, where, immobile in his bed, he mentally commits the three...

A young man who has just completed his studies and taken his vows as a doctor returns to his village. His mother expects him to take revenge for his father’s death and get their land back, which w...

Michalis Pararounas, after his recent release from prison, plans a big heist with his friends: to crack the safe of a villa in Filothei, where the wealthy Mrs. Domna lives. However, Mrs. Domna catches...

The womanizer Mr. Klearchos (Vasilis Avlonitis), who covets his neighbor Mrs. Iro, cooks up a scheme to have her follow him to the spa where he goes for treatment. He assumes the role of minder for hi...

The owner of a rural coffee shop (Kostas Chatzichristos) hopes to capture the heart of one of the village girls. After a strange twist of fate, he pretends to be a business man in an oil company. Howe...

This is the first film of Vasilis Georgiadis, a great Greek director, whose films have twice been Oscar nominees for best foreign language film. This is perhaps the only Greek athletic film production...

A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...

The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...

Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...

A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...

The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...

A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...

The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...

The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...

STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.

SMALL ADVERTISING POSTER OF GREGG TALLAS’ “AGIOUPA”, INDICATING THE FILMING CREW AND CAST

Research and critic on cinematography. Selected from the Contents: page 5, the article by K. Ouranis, "Poetry and Cinema"

Weekly publication featuring a variety of topics on cinema. Page 205 is selected: "For you ladies. Norma Talmadge talking. The secret of charm". 8th FORMAT.

OFFICIAL PUBLICATION OF THE GREEK CLUB OF AMATEURS CINEMATOGRAPHERS.ILLUSTRATED.

Monthly Cinematic Magazine.

Weekly publication featuring a variety of topics on cinema. Page 407 is selected: "The cinema in Athens. The progrss made within few years". 8th FORMAT.

MODEL OF “PISSANOS” FOR THE PRESENTATION OF THE FILM “VIEWS OF GREECE. A TOUR OF THE PELOPONNESE”. THE TEXT AND CONTRIBUTORS ARE SET AGAINST A RED BACKGROUND. A CYCLIST IS PORTRAYED AT THE BOT...