Miranda, who is paralyzed, becomes the victim of an employee of her father’s who is after her money. She finds solace in a man who truly loves her.

In a maternity clinic the prostitute Sonia substitutes her baby for someone else’s which died soon after birth. Years pass, and the child grows up with Pavlos and Eleni, who have no idea that the c...

A young man wants to kill his parents and his mother’s lover. While running in the street, he gets hit by a car. He ends up in the hospital, where, immobile in his bed, he mentally commits the three...

A young man who has just completed his studies and taken his vows as a doctor returns to his village. His mother expects him to take revenge for his father’s death and get their land back, which w...

Michalis Pararounas, after his recent release from prison, plans a big heist with his friends: to crack the safe of a villa in Filothei, where the wealthy Mrs. Domna lives. However, Mrs. Domna catches...

The womanizer Mr. Klearchos (Vasilis Avlonitis), who covets his neighbor Mrs. Iro, cooks up a scheme to have her follow him to the spa where he goes for treatment. He assumes the role of minder for hi...

The owner of a rural coffee shop (Kostas Chatzichristos) hopes to capture the heart of one of the village girls. After a strange twist of fate, he pretends to be a business man in an oil company. Howe...

This is the first film of Vasilis Georgiadis, a great Greek director, whose films have twice been Oscar nominees for best foreign language film. This is perhaps the only Greek athletic film production...

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

STILL ABOUT THE FILM “MURDER AT KOLONAKI”: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.[photo of the front cover].

GIORGIOS DIZIKIRIKIS’ SCRIPT, INSPIRED BY D. VYZANTIOS’ LIKE-NAMED STAGE PLAY, WITH THE ANNOTATION: “NATIONAL LIBRARY 18-7-1967 NO. 257, APPROVED BY THE CENSORSHIP COMMITTEE OF THE GOVERNMENT’...

STILL ABOUT TAKIS KANELLOPOULOS’ FILM “PARENTHESIS” WITH BRIEF BIBLIOGRAPHICAL NOTES ON THE DIRECTOR

STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES) : THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS.

ADVERTISING LEAFLET FOR OUFA PALACE – DIONYSIA CINEMA ABOUT THE FILM “GUILTY” WITH TWO PHOTOS AND SCENES FROM THE FILM.

STILL ABOUT THE FILM “TSAKITZIS”. A FEW WORDS ABOUT THE FILM

STILL ABOUT GAZIADIS BROS’ FILM “THE STORM”. DRAMA DRAWN ON GREEK REALITY AND FILMED ON LOCATION AT SOME OF THE MOST MAGNIFICENT LANDSCAPES IN GREECE.

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