Officer Alexandros Komninos (Christos Politis) and soldier Kosmas Georgiou (Giannis Katranis) undertake a mission to spy on German forces on Bulgarian territory, and Nikitas (Stefanos Stratigos) with ...

A rich building contractor, Kleanthis Tompoglou, wants to marry off his silly son Roulis to an exceptionally smart girl, Toula. However, an employee of his, Bampis, is in love with Toula, and he resen...

Shortly before traveling abroad to study, a poor guy from the countryside (Angelos Antonopoulos) injures his leg, which then becomes paralyzed. He pities himself, abandons his studies and neglects his...

A group of young guys are looking for the women of their dreams, each following their particular fantasy. Giorgos and Andreas spend their little money pretending to be rich, while Thymios and Iraklis,...

Agni is a 20 year-old girl who sells flowers on the street and in nightclubs. She is in love with Petros, the son of a wealthy family, who is planning to ask her to marry him. Agni’s mother, Nina, i...

In a typical tenement building, a university student and the doorman’s daughter plot how to expose the pettiness of the petit-bourgeois tenants.

A poor man (Fragkiskos Manellis) accepts some money to impersonate a maharaja who has cancelled his stay at a luxurious hotel. When the real maharaja (Periklis Christoforidis) shows up, the poor man i...

Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything r...

Detailed summary of the story and some information about the film production by Chaplin in his firs job with UNITED ARTISTS, where he also appears himself in a small part. Some thoughts about comedy, ...

The programme for the film "Alphaville" includes the credits and synopsis. It identifies the anxiety caused by the filming of regions and buildings in Paris and highlights the feelings of fear and ali...

Servet Monts, a photographer, meets Nadine Chevallier, who earns her living by starring in cheap, soft porn movies. Trying to help her, he borrows some money from her in order to fund his stage produc...

A poster by G. Vakirtzis, depicting two women. One has only her face shown, while the other is whole, in blue. At the bottom of the poster, the title, in red minuscule letters on a white background, r...

Critique analysis of Romer's film, with an initial reference to the "intelligencia" that characterizes the post-war French cinema and famous idea of Pascal about faith to God on which is built Romer's...

Programme for the ESPEROS Cinema. There is an illustration on the front cover and the title of the film "DESPERATE DECISION". The credits are on the inside page (Director: Yves Allegret; Cast: Dani...

The programme for the tribute to Pre-Revolutionary Russian Cinema begins by mentioning the collaborating agencies and then thanks various contributors. Then follows an introduction, a catalogue of th...

The programme provides biographical notes on Ford and looks into his entire work, which focuses on "the issue of the human community facing uncertain future". It refers to the film at the end, stressi...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS