The president of the Union of Greek Housemaids, Despoina (Despoina Stylianopoulou) fights for the rights of the union members, and, especially, for the appropriate punishment of Bigkos (Giorgos Papazi...

The year is 1965. Natasa Arseni (Aliki Vougiouklaki) visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she ...

During World War II in occupied Greece, a doctor (Vasilis Mitsakis) takes care of a wounded Austrian officer (Christos Politis), whose detail was wiped out in a surprise attack by the resistance fight...

A coachman from Plaka murders his wife’s ex lover and goes to prison. When he is released twenty years later, he accidentally meets his daughter, who is now married to an eminent doctor.

Tikos and Sfikos (Tasos Giannopoulos and Lakis Peridis) are under great pressure from their landlord (Pantelis Zervos) to pay their long-overdue rent. They try to get work at a theater, pretending tha...

A young man who has left school joins a group of hooligans who are fans of Olympiakos soccer team, and soon his entire life revolves round that group. In a violent clash with the fans of AEK, the youn...

A peaceful greengrocer (Petros Kyriakos), after being persistently pressured by his wife (Smaro Stefanidou), agrees to use the gold sovereigns that his now-deceased Jewish partner had hidden in the ba...

The wife of an alcoholic and mother of four (Toula Stathopoulou) is a factory worker in Corfu at the beginning of the 20th century. A fallen noble man who has fallen on hard times (Stratis Tsopanellis...

A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...

The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...

Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...

A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...

The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...

A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...

The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...

The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...

STILL ABOUT THE FILM “LYSSISTRATA” IN ENGLISH: THE FACTORS OF PRODUCTION, CAST, PLOT AND PHOTOS.

SMALL ADVERTISING POSTER OF GREGG TALLAS’ “AGIOUPA”, INDICATING THE FILMING CREW AND CAST

Research and critic on cinematography. Selected from the Contents: page 5, the article by K. Ouranis, "Poetry and Cinema"

Weekly publication featuring a variety of topics on cinema. Page 205 is selected: "For you ladies. Norma Talmadge talking. The secret of charm". 8th FORMAT.

OFFICIAL PUBLICATION OF THE GREEK CLUB OF AMATEURS CINEMATOGRAPHERS.ILLUSTRATED.

Monthly Cinematic Magazine.

Weekly publication featuring a variety of topics on cinema. Page 407 is selected: "The cinema in Athens. The progrss made within few years". 8th FORMAT.

MODEL OF “PISSANOS” FOR THE PRESENTATION OF THE FILM “VIEWS OF GREECE. A TOUR OF THE PELOPONNESE”. THE TEXT AND CONTRIBUTORS ARE SET AGAINST A RED BACKGROUND. A CYCLIST IS PORTRAYED AT THE BOT...