A widower, Captain Andreas, learns that his designated departure time is cancelled, while in the meantime his crew discover Marina hidden in the ship’s refrigerator. Her warm, polite nature induces ...
An island girl (Christian Sylva) is tortured by a secret which crushes her in the end.
A girl (Christina Sylva) is being pushed into corruption by her boyfriend (Andreas Barkoulis) in order to provide him with money. Her salvation comes in the form of an old friend (Kostas Kakkavas), wh...
Two siblings grow up without their parents and are placed in various institutions. Their life is a hard process of maturing, being separated and reunited over and over again. Eventually, they drive of...
In 1939 the motion picture was made into a sound film in Hollywood. In the village of Pentagious in Central Greece, a beautiful girl (Nela Mai-Frida Poupelina), baptized by Father Gabriil (Achilleas M...
The Cypriot orphan dress-maker’s assistant Nina lives in Athens, in a housing complex of Mrs. Froso. She falls in love with Lakis, a university student from Macedonia, but he is drafted and leaves f...
Athens, 1961. Alekos, son of the moneylender Lampros Kontarinis, meets Dora Fotiou, who grew up in an institution, studies law and is tortured by the strange image of a frightened girl on a deserted r...
In 1927, a young man (Kostas Chatzichristos) leaves Alexandroupolis to study in Athens. Instead of completing his studies, he meets three girls and gets them all pregnant before abandoning them for h...
A brief note with some details about the screenplay and the contributors that conveys the view that "it is the only adaptation of one of his plays for cinema that satisfied Brecht, since the screenpla...
The particularity of the film GRAND PRIX, directed by the Norwegian Ivo Kaprino, is the fact that he creates an artistic quality film with puppets. The plot is inspired from the world of car races and...
Program of the Amfissa Cinema Club, a branch of the Greek Film Archive. The front cover bears the title of the film to be screened: "THE THIEVE OF PEACHES " by Vulo Radev, and lists other contributors...
A profound analysis of the work based on the theory of psychoanalysis. It emphasizes Polansky’s ability to describe atrocious human deeds as if they were something natural. It compares his view with...
The lengthy program signed by Aglaїa Mītropoulou presents the distinctions Greg Talas as well as few words on his life and work of the filmmaker. The plot of the film concerns the ‘story of 160 ch...
A brief note on Mikhalkov's last film; a few words about the plot; the director's efforts to make a film about Russia's life and landscape; a quotation from the director, who said: "The film is not ab...
The film programme dedicated to Czechoslovak Jiri Trnka refers to the history of animated cartoons, stressing America's and Disney's lead in the field, and mentions certain notable exceptions in the E...
The programme for the screening of the film "The Rules of the Game" gives information from the credits and then talks about the life and career of the director. Then it discusses the perspective of th...
STILL ABOUT MIHALIS KAKOGIANNIS’ “IPHIGENIA” IN ENGLISH AND FRENCH: A SUMMARY OF THE PLOT, THE FACTORS OF PRODUCTION’S BIOGRAPHICAL NOTES AND A LOT OF PHOTOS. [photo of the front cover].
THE “REX” CINEMA ONE-PAGE PROGRAM ADVERTISING THE FILM “PERAN’S BEAUTY”.
STILL ABOUT DIMITRIS KOLLATOS’ “ALEXANDER’S DEATH”: REVIEWS, THE FACTORS OF PRODUCTION, CAST, PLOT AND A LOT OF PHOTOS.
Cinematic sheet-shaped newspaper, featuring a variety of topics on the Cinema.
PHOTOGRAPHIC COLLAGE WHICH INCLUDES SCENES FROM A. ARONIS KONTOGIANNIS AND N. OIKONOMOPOULOS’ FILM “A BURDEN TO SOCIETY” (“STREETS OF FATE”) AND THE ACTORS: N. KAZIS, A. TZANETIS, A. CHRYSOC...
Weekly publication featuring a variety of topics on cinema. Page 551 is selected: "The romances of Paula Negri. The men I loved and lost. A'. Rodolph Valentino.". 8th FORMAT
PROFESSIONAL CINEMATIC PUBLICATION. Illustrated, containing many advertisments.
PRINTED MATTER ENTITLED “THE UPHILL ROAD TO CALVARY” BY DIMOS VRATSANOS