A father and his three sons (Vasilis Diamantopoulos, Nikitas Tsakiroglou, Giorgos Dialegmenos and Dimitris Poulikakos) inherit a manor located in a fertile garden. Together with the house they also in...

The son of a businessman lead to the financial disaster due to his relationship with a stripper. Nevertheless, the new beggining will come after the reconnection with an ex girlfriend of his.

A girl (Jenny Karezi), who has a penchant for lying, breaks up with her fiancé (Andreas Barkoulis) because of an ad he places in the papers. When she meets a rich young man (Kostas Kakkavas), she too...

Mitros and Mitrousis (Thanasis Vengos and Fragkiskos Manellis) are two clumsy guys who arrive in Athens and manage to get mixed up in the illegal sale of smuggled watches. They deliver the watches to ...

The seeming tranquility of the life of Alexandra and Antonis, a bourgeois couple in their forties who are going through a crisis, is disrupted abruptly with the arrival of two new persons on the scene...

A traffic warden (Kostas Voutsas) is obsessed with arresting a motorcycle gang. A Greek-American biker (Giorgos Petrocheilos) becomes the leader of the gang and causes a lot of problems for the traffi...

After an unsuccessful robbery, two friends go to Rhodes with the intention of making money in order to release their other companion, who has been arrested. They become lovers of beautiful Maya (Maria...

In the Soviet Union of 1937, a boy from Greece meets and becomes friends with a boy from Georgia.

It mentions the fact that the film is based on the homonymous theatrical play of Pandelis Horn. The brief program, after justifying the transfer of the homonymous theatrical play to the screen, mentio...

The programme mentions the venture of Andres Linares and José Luis Garcia Sanchez, two of “the most remarkable documentarists of modern Spanish cinema” to put into film the biography of DOLORES I...

A colorful photograph of a scene from the film comprises the poster. In approximately its center, the title as well as other features of the film can be read, in white minuscules: “EVDOKIA” “A f...

The central theme of the film review is the relentless megalopolis. The review refers to "Darling" and eventually the analysis and synopsis get interwoven. At the back, it is "the deception of the sim...

The ROYALE Cinema program. On the front cover, cover with the name of the cinema. On the back page, the film synopsis: “ONLY FOR YOU” and the films Coming Soon: “On Monday “Women’s love and ...

In the programme for the screening of the film "Salomé" we read that the director chose a biblical theme as a cinematic showcase for the art of pantomime. There are also references to screenwriter an...

Poster by an anonymous artist. The poster’s upper part is occupied by the portrait of the heroine, Marina - a young woman with brown hair and blue eyes. A little below it the portraits of two young ...

At first the program gives a short reference to the biographical data and works of the director before we hear about the sensation that the film-“antimyth” (ALDEVARAN) caused at the Thessalonica F...

Monthly publication of the Association of Technicians of the Greek Cinema and Television.

Monthly publication of cinematic art.

STILL ABOUT KOSTIS ZOIS’ FILM “SILHOUETTES”: THE PLOT, DIRECTOR’S BIOGRAPHICAL NOTES, FACTORS OF THE PRODUCTION AND CAST.

STILL ABOUT G. STAMPOULOPOULOU’S “OPEN LETTER”. A FEW WORDS ABOUT THE FILM.

PRIVATE CONTRACT, SIGNED ON 15 FEBRUARY 1957, OF SPECIFIED DURATION BETWEEN N. STAVRIDIS AND S. CHATZOPOULOS, ACTING ON BEHALF OF CHATZ FILM. IT CONTAINS THE EMPLOYMENT TERMS, STIPULATED PAYMENT, CONT...

IT INCLUDES: COLOR FILM, LIGHT COLOR, FILM-COLOR-LIGHT TEMPERATURE, TEMPERATURE MEASUREMENTS, FILTERS, TEMPERATURE CORRECTION FILTERS.

SCRIPT OF THE FILM “SIX OF US ARE LEFT OUT OF EIGHT” AND THE PLOT. TYPED DOCUMENT DULY STAMPED AND BEARING THE INSCRIPTION “APPROVED”. AT THE TOP OF THE PAGE THERE IS A HANDWRITTEN NOTE: “TH...

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES.