A historical documentary about the tragedy of the famous Monastery of Arcadi that represented the climax of the uprising of the Cretans against their Turkish occupiers. The film takes the form of a tr...
A rich young man, Tony Danalis, is in love with poor Lena and wants to become a writer. His first book is based on the confessions of an unfortunate mother, Rita, who has been looking for her child fo...
A young man (Nikos Xanthopoulos) desperately wants to leave his village and go to Athens to start a new life. Her gets mixed up with some cunning city people, and, fighting with his father (Thodoros M...
Two peaceful guys (Ntinos Iliopoulos and Kostas Chatzichristos) are informed by fellow villagers that an old blood feud between their families has been restarted, and they must continue it. In their e...
Iraklis (Kostas Chatzichristos) is a polite public servant who is encouraged by his lawyer (Martha Vourtsi) to claim the back rent that the tenants of his building owe him. He goes from door to door a...
An elderly man meets a prostitute and a poor man in Omonoia square. The three of them wander among the wretched people of the square.
Three short stories satirizing the Greece of “Change”. A take-off on the police dramas of Giannis Maris; a satire of the films of the New Greek Cinema; and a satire of the “fustanella (Greek ki...
The programme is entitled "The Wealth of the German Cinema" and is a comprehensive encyclopaedic essay on the classical German cinema. The Greek Film Archive Foundation proudly presents a rare copy of...
Richard Brooks' romantic love melodrama « THE LAST TIME I SAW PARIS" was a huge success in the '50s. It is based on Scott Fitzgerald's book "ΒΑΒΥLON REVISITED" and is about a writer's love for a ...
The programme for January – April 1997 announces the following cinematic tributes (beginning with a brief introduction, followed by titles of the films and details from the credits). - Marcello Mas...
The SPLENDID Cinema program. On the front cover: “The SPLENDID cinema, ‘ASTERO’”, followed by the film synopsis.
According to the programme, Giannini, “transferring to the big screen his theatrical success, aspired, with this film, to give to the new kind of Dance-Musical-Fantasy, which was tried right after W...
The presentation, signed by Mona Mitropoulou, begins with reference to the history and the time environment of the film: We are in (1934-5), that is the time of dominion of the German cinema, followin...
The program mentions the divided reception of the film by the public and the characterization given by the filmmaker himself as “a requiem to the unification with Greece”. The presentation also a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS