Tonbild zum "Duett der Nedda und des Silvio" (auch "Warum denn hielt'st Du mich sehnend umfangen") aus Ruggero Leoncavallos Oper "Pagliacci", zu Deutsch "Der Bajazzo". Seit ihrer Uraufführung in Mail...
A compilation of war scenes taken from the second part of the epic film "Helena" (1923/1924) – a film adaptation of the ancient saga about the conquest of Troy by the Greeks made by Manfred Noa for ...
Fragments of two movies for which no further information is available. The titles "Vater ist im Kriege" / "Henny Porten Fragment" are taken from the film can. The first two minutes of the digitized 16...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Harry would like to marry his Grete on the spot, but first he has to get the approval of his future father-in-law, Councillor Goldfish. And poor Harry has to meet an important condition set by Goldfis...
Hanna Schygulla (hinten), Gottfried John, Ruth Drexel
Hanna Schygulla, Gottfried John (2.v.l.) (Dreharbeiten)
Szene mit Ulli Lommel (liegend), Wolfgang Schenck (3.v.r.), Ernst Küsters (2.v.r.), Karlheinz Böhm (1.v.r.)
Szene mit Ulli Lommel (liegend), Wolfgang Schenck (3.v.r.), Ernst Küsters (2.v.r.), Karlheinz Böhm (1.v.r.)
Fritz Müller-Scherz (1.v.l.), Ekkehard Heinrich (2.v.l., hinten), Thomas Schwan (3.v.l.), Wolfgang Schenck (4.v.l.), Rainer Werner Fassbinder (5.v.l.), Ulli Lommel (liegend), Sybille Danzer (2.v.r.),...
Fritz Müller-Scherz (1.v.l.), Ekkehard Heinrich (2.v.l., hinten), Thomas Schwan (3.v.l.), Wolfgang Schenck (4.v.l.), Rainer Werner Fassbinder (5.v.l.), Barbara Baum (6.v.l.), Ulli Lommel (liegend), S...
Ulli Lommel bei den Dreharbeiten
Ulli Lommel bei den Dreharbeiten
The film was permitted to young people under 16 years.
Film-Kurier, 72
Kinemathograph, 38/28
The film "Die Carmen von St. Pauli" was permitted by the censorship office in Berlin with age restriction (only for adults 18 years of age or older) and cuts (four scenes were banned).
The film title was changed from "Liebeserwachen" to "Liebesintermezzo" (30.5.1936).
The chairman applied for revocation of permissionof the film "Das verbotene Paradies" at the censorship headquarter in Berlin. The application was accepted. The film was banned.
There was not any kind of restriction noted.
Morgenpost, Berlin,